Julie Doiron: Desormais / Heart and Crime (Reissue)
Julie Doiron's stunning album DÃ©sormais, originally released via Jagjaguwar in 2001, marked a departure from the Canadian artist's grunge pop releases in the 1990s. Like its title might suggest, the intimate record is sung almost entirely in French. Across DÃ©sormais' ten tracks, Doiron builds a disarming and warm atmosphere - through minimally-composed fingerpicking, Doiron's soft voice steers a wounded sound. Even for the English-speaking listener, the cohesion of the LP's subdued, immersive atmosphere looms. DÃ©sormais clearly communicates a close, unflinching look at self-doubt submerged in melancholy.
Heart and Crime, released less than a year later in 2002, traverses much of the same territory. Written within the same time as DÃ©sormais, Heart and Crime is a companion to its predecessor, similarly vulnerable and scarce compositionally, save for flickers of brass or a piano line flitting in or out. Again, its weight comes from its somber simplicity, in Doiron's wistful voice and lyricism.
DÃ©sormais and Heart and Crime serve as visceral time capsules for Doiron's own personal history. It’s fitting, then that the records are also distinct placeholders within the Jagjaguwar canon. DÃ©sormais and Heart and Crime came at a time just as the label began to widen its scope. Doiron's work was amongst the first in a new era of Jagjaguwar artists that expanded the label’s roster and aesthetic, ushering in new and diverse definitions of Jagjaguwar's early dedication to emotional dissonance.