Half-Handed Cloud: Flying Scroll Flight Control
Half-handed Cloud's Flying Scroll Flight Control presents Dada interior-architectural songs, in the mode of Kurt Schwitters' Merzbau, the sound of Robert Rauschenberg's cardboard combines, interrupted by Futurist noise intoner music of collision. They're integrated with the radiant flicker of Stan Brakhage's domestic/personal 1960s art films, the mechanized music of Conlon Nancarrow, Mister Rogers' avant-garde children's operas, and the methods of grunge-era home-taping alchemists Eric's Trip, with scriptures giving voice to the unknown. Particularly encouraged by German Fluxus artist Joseph Beuys' desire to unite spirit and science, Half-handed Cloud's John Ringhofer identifies Flying Scroll Flight Control's arrangements with the most basic building blocks of life, the structures of atoms: mostly empty space and a dense core, around which thinner layers wind - tiny, slippery, whirring, fly-by electrons, perpetually in motion. The lyrics are primarily based on the most ancient, foundational, and audacious of Christian texts (possibly early hymns), quoted in the letters of Paul of Tarsus. The album features a 5-person female choir, manipulated recording tape, fuzz bass, clarinet, some piano, a child's Magnus air organ, rhythmic zipper, trombone, a cushioned stylophone stick, and intermittent backpacker guitar.