Secretly Distributon

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2019-06-21
Divino Niño: Foam

Divino Nino's new album Foam feels like catching up with a lifelong friend. There's undeniable songwriting chemistry between guitarist Camilo Medina and bassist Javier Forero, who met as kids in Bogota, Colombia and years later reconnected by sheer happenstance after their families had both moved to Miami. Both studied at the School of the Art Institute of Chicago where they met guitarist Guillermo Rodriguez and eventually Drummer Pierce Codina. Now Chicagoans, their rhythmic, soulful - and at times bilingual - Latinx punk songs are a reflection of their continent-spanning bond and proof that Divino Nino couldn’t have formed without unlikely but happy coincidences.

The ten tracks on Foam feature wistfully romantic lyrics like the yearning plea on the title track ("I really wanna run away with you"), and sunny, honeyed arrangements. Songs like "Quiero" trade-off between English and Spanish with woozy guitars and harmonies anchoring the sweetness of the lyrics. The quartet's Latin American roots seep in throughout the LP's silky psychedelic flourishes but especially on single "Maria," which is sung entirely in Spanish. Inspired in equal parts by Argentine punk and the narratives of Mexican telenovelas, the personality-filled track is one of the most memorable on the record.

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2019-06-21
Freedom Affair: Rise Up

Led by Chris Hazelton, The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!

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2019-06-21
JR JR: Invocations / Conversations

Double-Album from Detroit duo JR JR, their first since 2015's self-titled record and the first release on newly created imprint Love Is EZ records.

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2019-06-21
Kelly Finnigan: Catch Me I’m Falling

The lead single that kicked off Kelly's solo career. Ultra sweet, super mellow, just one of the most tender moments on Kelly Finnigan's solo LP The Tales People Tell. Utilizing the pocket playing of Max and Joe Ramey from The Ironsides, Kelly's falsetto shines bright for all to hear.

Lee Fields & The Expressions: Wake Up/ You’re What’s Needed in My Life

Following up on the massive success of Lee Fields recently released full length "It Rains Love" we drop another 45 for the DJs and collectors. This time showing off two different sides of Lee & The Expressions range.

The A side "Wake Up" is Lee’s heavy duty, drum driven, anthemic tune for the times. Fields calls out the highly over-used and abused term of the current presidency "fake news." Over a hard as nails sound bed courtesy of The Expressions he goes on asking people to wake up and not let this propaganda sway them from knowing what is right and wrong.

The B side "You're What’s Needed In My Life" is a gushing testament to the beauty of love. Solidifying his title as the Professor of Love it's almost like he's writing your girl's valentine for you. Going beyond how happy the woman he is singing to makes him and telling of how she makes everyone she meets happier. This two-sider is about as classic as possible, a heavy duty funk banger on the A side, and nothing but love on the ballad B side. Another classic and timeless offering from the one and only Lee Fields.

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2019-06-21
Mort Garson: Mother Earth's Plantasia

If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears) in 1976, you also took home Plantasia, an album recorded especially for plants. Subtitled "warm earth music for plants…and the people that love them," it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: "How was Garson's music so ubiquitous while the man remained so under the radar?" the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell's "By the Time I Get to Phoenix."

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2019-06-21
Rimarimba: On Dry Land

For Rimarimba's 1984 album On Dry Land, Robert Cox advances along the terrain explored on Below The Horizon. It's an enchanting album, one which, at times, seems to comment on its own practice; a picture of everyday life in the hobbyist's, or part-time musician's, recording studio. Some moments point towards the tourist-explorer aesthetic that would eventually coalesce under the banner of Fourth World music. Other moments where Cox seems to be channelling an otherness, a kind of hauntological reverie, the feeling of music that gives us an uncanny sense of déj vu. Writer David Keenan’s description of Japanese naïve-pop group Maher Shalal Hash Baz's music, that it "feels like sketches of places where we once were, places now made poignant by our absence" feels like an alternate take On Dry Land.

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2019-06-21
Rimarimba: In the Woods

On Rimarimba's 1985 album In The Woods, Robert Cox has made his music kit, an odd assortment of new and old technologies, lately fixated on the digital delay, and programming technologies, sing his own song at its most articulate clip. The songs seem more developed, fluent, like mini-suites in some sense. By his third album, it’s clear Cox has recognised just how liberating technology can be - "All these intricate layers of things that I was trying to play, and didn't have the musical ability to play, I could suddenly program them" - but he also recognises that if you head too far down that road, dull perfection is your bitter reward. Human music intoxicated and lurching through a new forest of machinery

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2019-06-21
Rob Burger: The Grid

Portland-based Rob Burger is an accomplished keyboardist and composer whose storied career comprises film soundtracks and other compositional work, as well as meaningful contributions to the albums of artists such as John Zorn, Laurie Anderson, and Iron & Wine with whom he maintains an ongoing working relationship. Burger rightfully brings his skills and nuanced sensibilities to the fore on The Grid, an LP that recombines neo-classical soundscapes, Harmonia-esque kosmische, and jaunts of 20th-century exotica into a multigenre quilt-work all his own. As a listening experience, the album ranges meanders gracefully between the jovially playful, the contemplative-- and occasionally the menacingly stark-- with masterful ease.

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2019-06-21
Thee Sinseers: It Was Only A Dream

Straight from East L.A., Thee Sinseers embody the lowrider sweet soul vibe. Love songs, washed with reverb, slow tempos for rolling, and a vibe for days. This type of doo-wop soul has been embraced by the Chicano culture and with a growing scene, Thee Sinseers look to make their own mark. The A-side, a very doo-wop leaning tune is contrasted with the James Brown cover on the B, "I Don’t Mind". Both sides just crush.

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2019-06-14
"Blue" Gene Tyranny: Out of the Blue

First-ever LP reissue. "Blue" Gene Tyranny's debut album Out of the Blue - newly remastered with original cover art - which was among the first to releases on Lovely Music in 1978 alongside Robert Ashley Private Parts, David Behrman On the Other Ocean, Jon Hassell Vernal Equinox, Meredith Monk Key, and Peter Gordon Star Jaws. Disarmingly direct, funky, and profound, Out of the Blue is an equanimous, wide-open exploration of Tyranny's musical world: equal parts song cycle, tone poem, keyboard fantasia, and avant-garde pop record. Recorded and mixed by Tyranny at Mills College, this album emerged following the legendary 1976 Trust in Rock concerts, where Tyranny and collaborator Peter Gordon presented New Music for rock band. "Next Time Might Be Your Time" and "For David K." were co-produced by Gordon, and also feature Mills's Maggi Payne on flute as well as Oingo Boingo’s Steve Bartek on guitar; “Leading a Double Life” is sung by Lynne Morrow and Jane Sharp, accompanied by Tyranny on piano and polyMoog synthesizer; "A Letter from Home" is a half-hour electro-acoustic narrative meditation on "the Doppler effect as a metaphor for the development of consciousness." Out of the Blue lives up to its name: it is both surprising and familiar, revealing for the first time something that was always already there.

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2019-06-14
"Blue" Gene Tyranny, Peter Gordon: Trust in Rock

Trust in Rock documents the last evening of an epic concert series held at Berkeley's University Art Museum in November 1976, featuring an all-star ensemble of the Bay Area's most unclassifiable musicians performing works by "Blue" Gene Tyranny and Peter Gordon. This band, and this concert, played at the nexus of New Music, jam bands, "pattern music," and punk. Tyranny had quit Iggy Pop's band in 1973; Gordon had already moved to New York and began playing with Arthur Russell and Rhys Chatham. Their combined band crossed styles and institutions and time, and was assembled from the effervescence of the Bay Area scene in the 1970s. It included Gordon on saxes and the RMI Synthesizer; Tyranny on the piano; local video-performance artist Patrice Manget on vocals; Karl Young on saxes; composer-performer-guitarist Paul Dresher, who played in Tyranny's band Edge of the Road along with percussionist Gene Reffkin; Steve Bartek of the Mystic Knights of Oingo Boingo on bass; and Mills College student Janet Cuniberti on the funky Clavinet and RMI Synth.

Tyranny's direct and profound songs are "concerned with influence, trust, self-reliance, and having to re-do what is true for you;" Gordon’s songs, with lyrics by then-partner Kathy Acker, give the performance a sexual and political edge, complimenting the intensity of his instrumental works. Though some of the works on Trust in Rock also appear on Peter Gordon's Star Jaws and "Blue" Gene Tyranny's Out of the Blue, many others are available here for the first time. At this performance, Gordon, Tyranny, and their band were not afraid to take the time to "listen to the interior state of something," as Tyranny later put it: they put their trust in rock.

Anatolian Weapons feat. Seirios Savvaidis: To The Mother Of Gods

Anatolian Weapons, the project of Aggelos Baltas (Dream Weapons, Fantastikoi Hxoi), makes its Beats In Space Records debut with To The Mother Of Gods. A hypnotic journey through the psychedelic folk music of Seirios Savvaidis, To The Mother Of Gods testifies that music, through repetition and drone, can take us outside ourselves to a liminal space beyond thought and rationality. LP comes with high-quality digital download.

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2019-06-14
Crumb: Jinx

Crumb is the collaboration of Brooklyn-based musicians Lila Ramani (guitar, vocals), Brian Aronow (synth, keys, sax), Jesse Brotter (bass), and Jonathan Gilad (drums). The friends came together in 2016 with the goal of developing and recording a collection of songs Ramani had written in high school and college, the work ultimately resulting in the band's first two EPs, 2016's "Crumb" and 2017's "Locket." Encouraged by the warm reception online and at shows, the band evolved into a full time touring and recording project.

In June 2019, Crumb will release Jinx, their first full-length album and best distillation to date of their singular blend of psych-rock and jazz. On Jinx, Ramani continues to helm the songwriting, with Aronow, Brotter, and Gilad each bringing distinctive ideas to match her ethereal, intimate vocals and luminous guitar lines. Informed by two years of nearly non-stop touring, the songs sweep and swell to capture the beguiling live spirit of Crumb shows, while taking listeners one step further down the band’s dizzying, hypnotic path.

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2019-06-14
Duster: Stratosphere

Best listened to from inside the womb, Duster's 1998's debut Stratosphere simultaneously capped off and reinvented the slow core's first wave. A four track dreamscape that will wake the neighbors and then lull them back to sleep. Hazy, arpeggiated guitars layer over a deliberate drummer with no real place to be, as semi-inaudible vocals warn of millennial malaise and subtly encourage the listener to "rock out, rock out, rock out, rock out."

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2019-06-14
Duster: Contemporary Movement

A muffled cry into the technological darkness, Contemporary Movement slid into the world right as the MP3 was seeping out of college dorms. A 39-minute drift into the void, drenched in Cold War-era reverb and then submerged in four track hiss for good measure. Duster constructed a Brutalist masterpiece on the outskirts of a suburban mall, as if to say, "We were here."

Mike Adams At His Honest Weight: There Is No Feeling Better

**NOTE - Colored Vinyl pictured is fictional! It is JUST the cover artwork!**

There Is No Feeling Better, the fourth album from Bloomington, Indiana's Mike Adams at His Honest Weight finds the titular Adams-the singer/songwriter/multi-instrumentalist/producer at the center of the independent pop institution-focused less on who he is and more on where he is. Though the album's not short on truthful introspection, it's an outward gaze that defines these eleven songs. It's the kind of record you can make only after really knowing how to make records. It's ambitious, but never labored sounding, sweeping but always intimate.

Pulling from disparate sources, like retro-pop era Starflyer 59, ELO, the Beach Boys at their most transcendental, the Southern gospel of the Isaacs, and the dead-serious humor of The Roches, Adams has shaped these touchstones into a new world. The sock hop mysticism of "Free & Reduced," the noir mood of "That’s One Way," the lush cooing of "Educated Guess," the daydream pop of "Olivia"-you can live in songs like these. They're testaments to the act of creation and recreation, examinations of the glee that can be accessed by ripping up the map and getting lost.

MONO: Hymn To The Immortal Wind (10 Year Anniversary Edition)

** TITLE HAS NOT BEEN ANNOUNCED! PLEASE DO NOT POST ANYWHERE ONLINE (INCLUDING A PREORDER) UNTIL May 13th**

To commemorate the 20th anniversary of MONO, and the 10th anniversary of their most iconic album, Temporary Residence Ltd. proudly presents Hymn to the Immortal Wind - Anniversary Edition. Beautifully remastered from the original analog master tapes by Bob Weston at Chicago Mastering Service, this super deluxe reissue sounds, looks, and feels more pure and powerful than ever before. The CD format has been repackaged in a gorgeous full-color gatefold jacket with metallic gold inks, matte varnish, and custom inner sleeve. The 2xLP vinyl format is packaged in a mind-blowing full-color, custom die-cut jacket with metallic gold foil stamping, matte varnish, and 7 interchangeable full-color cover inserts. The vinyl is pressed onto 100% virgin, audiophile-quality vinyl. No expense was spared in properly honoring what has become MONO's most beloved album. A limited number of Pearlescent Blue-Green Colored Vinyl (TRR348LP-C2; Edition of 1,000) are available while supplies last.

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2019-06-14
SadGirl: WATER

With their new album Water, Los Angeles trio SadGirl taps into the romantic and nostalgic spirit of their native city while exuding a time-tested authenticity suggesting they've had a peek behind the curtain of the glitzy boulevards and relentless sunshine. It's a collection of breezy pop songs captured with the timbre of old-time recording techniques. Songs like "Little Queenie" touch upon the yesteryear reverberations and longing of a Ken Boothe ballad. Similarly, a tormented love song like "Miss Me" transports the listener back to slow dances at a previous generation's sock hop, only to be subverted by a chorus of "miss me with that bullshit." It's as if guitarist/vocalist Misha Lindes, drummer David Ruiz, and bassist Dakota Peterson want to conjure an idealized past only to remind us of innocence lost.

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2019-06-14
Shellac: The End of Radio

1994 PEEL SESSIONS

TRACK LISTING: Spoke / Canada / Crow / Disgrace TRANSMISSION: JOHN PEEL SHOW, 22 JULY 1994, PROGRAMME NUMBER: 00YJ7271 RECORDING: RADIO ONE SESSION, 14 JULY 1994, BBC MAIDA VALE STUDIO 3

2004 PEEL SESSIONS

TRACK LISTING: Ghosts / The End of Radio / Canada / Paco / Steady As She Goes / Billiard Player Song / Dog And Pony Show / Il Porno Star TRANSMISSION: JOHN PEEL SHOW, 2 DECEMBER 2004, REFERENCE: XLN448/00JY3660 RECORDING: LIVE FROM MAIDA VALE SESSION, 1 DECEMBER 2004, BBC MAIDA VALE STUDIO