Secretly Distributon
William Basinski: Label Owner
Preston Wendel: Label Manager

William Basinski is a classically trained musician and composer who has been working in experimental media for over 30 years in NYC and most recently, California. Employing obsolete technology and analogue tape loops, his haunting and melancholy soundscapes explore the temporal nature of life and resound with the reverberations of memory and the mystery of time. His epic 4-disc masterwork, The Disintegration Loops received international critical acclaim and was chosen as one of the top 50 albums of 2004 by Pitchfork Media. The Temporary Residence deluxe LP box-set reissue from 2012 was awarded best re-issue of the year and a score of 10 on Pitchfork. Installations and films made in collaboration with artist-filmmaker, James Elaine have been presented in festivals and museums internationally, and his concerts are presented to sold out crowds around the world. Most recently, Basinski was chosen by Music Director, Antony Hegarty to create music for the new Robert Wilson opera, The Life and Death of Marina Abramovic which had its world premiere at the Manchester International Festival in July 2011 and toured Europe in 2012 and North America in 2013. Orchestral transcriptions of The Disintegration Loops by Maxim Moston have been performed at The Metropolitan Museum of Art, Queen Elizabeth Hall and will tour Europe with various orchestras in 2013. Basinski will be touring the world in 2013 in support of Nocturnes, his latest album released in May 2013 on 2062/USA.
Arbutus is an artistic community based in Montreal. Beginning as a DIY loft space, Arbutus Records developed to cultivate and promote the bands associated with the space. Emphasis on friendship and collaboration within the scene has lead to an increasingly multimedia oriented endeavor, moving beyond a label to include film and literature.

Arbutus develops a scene and culture, with each member's success contributing to the success of the whole. Individual talents combine for a stronger product and artistic identity. We are not bound by a particular aesthetic direction, but rather excel in the diversity created by this cross pollination. The artists involved are pointedly distinct from one another, and this range of individual input results as one of strongest qualities presented in the art.

We are not an archetypical record label, rather Arbutus is the vessel for a scene and artistic movement.
Born in 1999, Asthmatic Kitty Records was originally conceived as a platform for musical projects by a community of artists from Holland, Michigan, a small city on the shore of Lake Michigan. Some were Holland natives, and others had come to attend local colleges and universities. While the original Holland nucleus has now dispersed to various parts of the country, the fellowship is still growing, with new friends and shared projects with other independent labels. Asthmatic Kitty is now based in Lander, Wyoming, Indianapolis, Indiana and New York City.

Asthmatic Kitty was named after Sara, a voluptuous orange and white longhair who wandered out of the woods in 1995, pregnant, starving, and afflicted with various parasites and ailments, including feline asthma. Although she still wheezes a bit, especially when being chased by her sister Tabby, Sara today enjoys a healthy and happy life of luxury. Cast-off animals make the best pets!
Awesome Tapes From Africa began in 2006 as an mp3 blog shedding light on wonderful and obscure cassettes from the African continent. It has grown into an internationally recognized, crowd-sourced public archive and acclaimed DJ project. Founder Brian Shimkovitz began by digitizing and blogging about cassettes he brought back from trips to West Africa and has since received tapes from fans and contributors, creating an extensive online repository for popular, traditional and folkloric musics from dozens of countries.

The New York Times, The Guardian, The Fader, WIRE, ArtForum, Rolling Stone, BBC Radio 6, Village Voice, and New York Magazine, among others, have noted the project for its enthusiastic and open-armed approach to sharing otherwise hard-to-find music with listeners worldwide. In the process, numerous artists previously unheard outside their native regions have found fans via Awesome Tapes From Africa.
Truly one of the most exciting labels to have emerged in the past decade, Brooklyn's Captured Tracksconsistently discovers and develops visionary talents like Mac DeMarco, DIIV, Wild Nothing, and Widowspeak, while bringing their impassioned aesthetic to reissuing brilliant underground records from post-punk, shoegaze, and electro luminaries like Medicine, Monochrome Set, Half Church, and For Against. They're currently working with the legendary Flying Nun label on a series of catalog reissues, and were recently - and much-deservedly - named by NME Magazine as one of "the greatest indie labels ever".

Label founder Mike Sniper explains, "I'm not sure we've quite defined [the label's aesthetic] 100%. We like our bands to come to us with an identity already. Musically, I think there's a case to be made that the same person could like everything on it besides me, but not many. Soft Moon sound nothing like Wild Nothing who sound nothing like Soft Metals who sound nothing like Tim Cohen, etc."
The Olivia Tremor Control originated in Louisiana around 1988 as the trio of Will Cullen Hart, Bill Doss, and Jeff Mangum. They ended up in Athens, Georgia around 1992 and recorded the "California Demise" EP which they released themselves on seven-inch vinyl.

After a while Jeff Mangum left to focus on his band Neutral Milk Hotel, and another Louisiana native, John Fernandes joined the group to play bass, clarinet, and violin, and they recorded the prelude to their first album called "The Giant Day" EP.

Soon the band convinced Eric Harris, who had played with Bill in Chocolate USA, to move to Athens to join the band as drummer, thereminist, electronics expert and recording engineer. In 1996, their debut double album "Music from the Unrealized Film Script, Dusk at Cubist Castle" was assembled in the Denver-based studio of childhood friend Robert Schneider.

After it's release, Peter Erchick, who had grown up with Eric in New Jersey, joined the group to play organ and piano, and they exhaustively toured North America and Europe opening for the Super Furry Animals, Beck, Stereolab, R.E.M. and Derek Bailey, as well as many tours with Elephant 6 comrades Neutral Milk Hotel, the Music Tapes, the Apples, Elf Power, etc.

Following the tours for their 1999 album, "Black Foliage: Animation Music", the band went on hiatus to focus on various projects. They did some reunion shows in 2005 starting with an invitiation from the All Tomorrow's Parties festival and ending with a joyful noise at the Orange Twin conservation community.
Constellation was founded by Don Wilkie and Ian Ilavsky in Montreal in 1997 to provide a conduit for local and regional artists making genre-defying DIY music.

Throughout the label's first decade, we strictly worked with projects based in Montreal and eastern Canada, with a commitment to packaging-intensive LP and CD production as well as support for parallel institutions (recording studio, live venues) that evolved separately and allowed for a true renewal of the Montreal music scene well beyond the confines of the Constellation orbit.

Earning the wholly unexpected (and not entirely desired) distinction as a leading purveyor of "post-rock" - thanks to an early crop of highly varied instrumental albums by bands like Godspeed You! Black Emperor, Do Make Say Think, Fly Pan Am, Exhaust, Hangedup, Re: and Silver Mt. Zion - Constellation gained a foothold in independent international distribution very early on, and we've sought to assert our broader musical horizons and ethical/artistic pre-occupations ever since. Ian also played in Silver Mt. Zion and Re: from 2001-2008.

In recent years, the label has supported established American iconoclasts (Vic Chesnutt, Carla Bozulich's Evangelista project, Jem Cohen, The Dead Science) while continuing to champion fresh crops of wildly diverse Montreal-based artists (Clues, Elfin Saddle, Land Of Kush, Hrsta, Colin Stetson) and some of the leading lights of the avant singer-songwriter Toronto scene (Eric Chenaux, Sandro Perri).

From the label's very beginnings, Constellation worked hand-in-hand with the Southern Records distribution network created by John Loder in the early 80s (initially to manufacture and distribute Crass records, and soon to include Dischord, Touch & Go, Wrong, et al). Since Loder's death in 2005, the various arms of the Southern network were unwound in various ways. We remained loyal to all these parties, including Chicago Independent Distribution (CID) as it emerged out of the former Southern Records USA. In autumn of 2010, CID announced they were scaling back their distribution business to focus on the local economies of a brick and mortar record store and live venue at their building on West Fullerton Street in Chicago. We remain extremely supportive of their efforts, deeply thankful for their hard work, and excited about their future.

We are equally excited to be forging a new alliance with Secretly Canadian Distribution (and proud to be properly cementing the "Canadian" into their solid foundations). We look forward to being part of the label group at SCD and building new relationships with everyone involved.

Don and Ian continue to be fully hands-on with all aspects of the day-to-day at Constellation. Don't hesitate to drop us a line.
Dead Oceans has been releasing songs and sounds from an impressive family of artists since 2007. Home to singers, songwriters and sound creators such as Akron/Family, Bishop Allen, Bowerbirds, A Place to Bury Strangers, Bear in Heaven, John Vanderslice, Phosphorescent, The Tallest Man On Earth and more, Dead Oceans is responsible for a powerful body of work in a short period of time.
DFA Records is an independent record label based in New York City. It was founded in 2001 by Jonathan Galkin, James Murphy (LCD Soundsystem) & Tim Goldsworthy (Mo'Wax/UNKLE). Within the first year, the label released 2 12" vinyl singles - "House of Jealous Lovers" by The Rapture and "Losing My Edge" by LCD Soundsystem - that helped crystalize a moment and a movement simultaneously in the dance and indie communities growing in Brooklyn and soon after, far far beyond the 5 boroughs.

The success of these initial releases broke ground for releases from The Juan Maclean, Hot Chip, Hercules & Love Affair, Shit Robot, Black Dice, Gavin Russom, Holy Ghost, Factory Floor and so many more vibrant idiosyncratic dance 12" singles DFA continues to be known for. By 2010, the DFA label placed FIVE of these singles in the Pitchfork Top 40 Singles of the Decade, was nominated for 3 Grammy Awards and sold out Madison Square Garden with the farewell show for James MurphyÕs LCD Soundsystem.
Family Vineyard is an artist-centric label based in Indianapolis. It was established in 1999 to release uncompromising and iconoclast visions from all corners of the globe. Since, we've produced landmark albums by guitarist Loren Connors, percussionist Chris Corsano, lysergic punks Apache Dropout and saxophonists Akira Sakata and Paul Flaherty. Our motto is "Newfangled and archival sounds aged to perfection."

"... Family Vineyard occupy a particular corner of the music universe, serving up equal parts talent, ambition and pretension from people who don't shrink from the word 'artist' and who make honest, blood-leaking efforts to be worthy of the name." ÑJohn Darnielle in Last Plane to Jakarta

Family Vineyard:
An independent label based in Brighton on England's South Coast, FatCat is renowned for the high quality of its output and the broad diversity of sounds, styles and approaches that the label and its various imprints (Splinter Series / 130701 / Split Series / 7" Series / E-RMX) has nurtured. Perhaps best known for the discovery of artists such as Sigur Ros and Mœm, the label has secured itself an unparalleled reputation for the quality and diversity of its artists, from modern folk heroes Animal Collective to the explosive guitars of The Twilight Sad, or the minimalist compositions of Max Richter.

Fired by an enthusiasm for the sounds then emerging from Detroit and Chicago, FatCat began life in 1990 as a tiny independent record store in the London satellite town of Crawley. Ending up in a small, dimly-lit basement in Covent Garden, the shop rapidly grew to gain a strong reputation as one of the country's finest outlets for electronic music. The label began in London in 1997 out of the ashes of the famous FatCat Records vinyl shop, and opened its NYC-based USA office in 2005.

Over the roller-coaster course of the past ten years, FatCat have attempted to curate a continually shifting and adventurous series of releases, to introduce new / unknown artists and to maintain a consistently high level of quality. Currently based in Brighton (UK) and NYC (USA), FatCat are proud custodians of an immensely strong and sizeable catalogue, and have garnered widespread critical acclaim as one of the more interesting and divergent independent labels in existence.

FatCat Records:
Just a year old this month, felte is a one-man operation run by Jeff Owens, underground music world vet and current Ghostly label manager. The label gravitates towards moody, atmospheric, and texturally dynamic sounds and imagery, with genres ranging from post-punk, art punk, shoegaze, new wave, post rock, no wave, electronic, krautrock, to indie rock and ambient influences. The label's roster includes ERAAS, The Tower of Light, PVT (f/k/a Pivot), Standish/Carlyon, Flaamingos Billow Observatory, with more to come.

Owens explains:
I've been wanting to start a label for a long time. It was important for me to find the right band to release the first album with. A label's debut can set the tone for everything going forward. Two years ago, felte's art director, Philistine DSGN, recommended I check out this Brooklyn band ERAAS. A friend of his had passed it along to him. We went to see the band live before I had heard a note on tape. At the time, I'd been going to lots of shows around the Brooklyn area at that time, seeing band after band that simply did not know how to perform or barely knew how to play their instruments or sounded like everyone one else. I was frustrated with this. Bands writing songs and then learning how to play live after the fact instead of it being a part of the process from the beginning. That seems backwards to me. ERAAS instantly stood out to me that night. I knew then that felte was ready to begin. They really set the tone for what I wanted to represent sonically and visually with the label. I'm very interested in artists that can bring you to another world with sounds, moods and tones that stimulate strong visual imagery."
Ghostly's current roster is vast and its alumni are many, but an abridged list of label's artistry ranges from the darkly playful electronic pop of Matthew Dear to the moody, humanly warm electronic sounds of Gold Panda from the reality-bending hip-hop of Dabrye to the sky-high orchestral anthems of Denmark's Choir of Young Believers to the rainy-day minimalism of The Sight Below to Detroit's electropunk pioneers ADULT. Collaborators have included Doom, Flying Lotus, J Dilla, Jesu, Lawrence, Legowelt, and countless others. Ghostly's visual presence is as distinctive as its music, defined primarily by the work of on-staff designers/fine artists Michael Cina and Will Calcutt.

To define Ghostly International would only serve to limit it. Always evolving, always incorporating new sounds and new facets to its cultural identity, Ghostly still maintains its bottom line: to bring great art to people with open eyes and open ears.
Started in Virginia, transplanted to Indiana, Jagjaguwar has been releasing sentimental noise and understated musical revelations for sixteen years. Jagjaguwar is a home to music by Bon Iver, Sharon Van Etten, Okkervil River, Black Mountain, Dinosaur Jr., The Cave Singers and Besnard Lakes, amongst many others.
K: a conspiracy of gravediggers, spies, swim instructors and international pop stars. There are hangmen and there are saints. K as a label has released cassettes, phonograph records and compact discs documenting the audio works of over 150 artists. The main focus K of has been artists working in and around Olympia, Washington, where K is based, but has included comrades from across the U.S.A. and as far away as Japan, Scotland, Australia, Canada, Germany and England. Yes, K explodes the teenage underground into passionate revolt against the corporate ogre world-wide.

Colleagues in the International Pop Underground collide at the K vanishing point. The sounds cross back and forth through a number of genres, some known and some less so: punk, hip hop, atom-powered folk-pop, haunted garage, restless singer songwright, epic soul shock, noise exp., blurred-eye visionary psychedelica, roadhouse mod and the silent film soundtracks composed by Timothy Brock, as performed by the Olympia Chamber Orchestra.
Lovepump United is Jake + Mookie, since 2004
Magnetic South is an analog recording studio and record label who have captured the grittiest, most far out sounds in the hills of Southern Indiana since 2008.
No Quarter was founded in 2002 with a reissue of the long out of print Earth album, Sunn Amps and Smashed Guitars. Another reissued soon followed, a discography of the amazing late 90's post-post rock bandLaddio Bolocko. Critically acclaimed ("Beautiful, captivating and wonderfully overwhelming" - CMJ), the release sold well and helped put the label on the map. New albums followed from Finnish bands Pharaoh Overlord and Circle, New Yorkers Coptic Light and The Psychic Paramount (the latter comprised of ex-Laddio Bolocko members) and a collection of Earth remixes by some of the heaviest hitters in the biz (Mogwai, Autechre, Justin Broadrick). Relocating to New York in 2008, NQ issued a solid string of albums by Endless Boogie, Headdress, Final and Doug Paisley. 2010 will see follow ups from theBoogie, Paisley and The Psychic Paramount, debuts from Coconuts and Suzannah Johannes, and of course there's more in the works. Always more in the works.
Dean Spunt is one-half of No Age and all-halves of Post Present Medium. Far from a boutique project, Dean has been releasing explosive records from not only his close friends and Smell cohorts, but a wide range of artists he's come in contact with throughout his endeavors... Dean loves vegan cookies. Send him some.

PPM artists: Abe Vigoda, Gun Outfit, Mika Miko, No Age, Silk Flowers, Barr, Eric Copeland and many more...
Quite Scientific is an independent record label based in Ann Arbor, Michigan. Founded in 2006 by Justin Spindler, and brothers Brian and Jeremy Peters, it all started out with a simple idea to release some compilations of local acts in an effort to shine a light upon the talent within southern Michigan's music scene. Overnight it seems, QuiSci ( /kwī -sī /) evolved into the full fledged indie imprint that it is today spanning genres from Americana, to Electronica, to Pop (though they still haven't gotten around to putting out those comps). Though best known for fostering the careers of Michigan bred artists such as Dale Earnhardt Jr. Jr., and Chris Bathgate, recent years have seen the label working with a number artists from outside of the state as well. However, more often than not, QuiSci still finds themselves focusing on the Midwest musicians, aesthetic, and general good atmosphere that seems to permeate the air surrounding the Great Lakes; they have beards, wear lots of denim, and enjoy a band that doesn't take themselves too seriously.
RVNG Intl. is a Brooklyn-based record label that operates on few but heavily fortified principals, dealing with forward-reaching artists sometimes categorized as electronic, avant, free, fried, etc.

In this era of cloud storage and media streams, RVNG seeks not only to appease collector fandom with extravagant packaging but also to remind later and hopeful audiophile generations of the sonic spectacle that exists in pressing needle to vinyl and letting physical exchange excite surrounding air space. Of course we're not total curmudgeons, our catalogue is (almost) fully available across digital formats.

Our FRKWYS series best exemplifies the equilibrium that balances classic sentimentality with modern day sensibility, with each volume a unification of progenitor and contemporary musician. Those artists working outside the FRKWYS umbrella on original releases for RVNG still find collaboration the driver at the label as we work closely to activate each new level of artistic development.

With a quick glance at our catalogue of events, releases, and community at large, it's (hopefully) clear that RVNG is a creative member in our homezone of NYC and beyond. Supporting the scene with collaborations at White Columns' West Village gallery, helping present MoMa PS1's Summer Warm Up series in Long Island City, working extensively with Krakow's Unsound Festival, or curating a Carnegie Mellon University stage for the VIVA Festival in Pittsburgh, PA, format transcendence is our second life-force.
Sacred Bones Records was born in Brooklyn, New York in early 2007 with the intention of bringing our friends' music to light, as well as unearthing music lost to time. Though our releases are available in digital formats, our main focus is on vinyl. We have released almost 50 records (and counting). Our artists include Blank Dogs, Zola Jesus, Gary War and Moon Duo to name a few.

We are deeply fortunate to have a co-operative of gifted people working with us. A filmmaker who directs our music videos, a print maker who handles the production of our complicated packaging and a graphic designer who is responsible for our album layouts, website and one-sheets. We put as much energy and care into the presentation of our records as each band does to their music. Attention to detail and hard work is what distinguishes Sacred Bones from others.

We look forward to continuing to release albums by artists who we truly believe in both aurally and spiritually.
Born out of a limestone house on a dead end street in a Midwest college town, Secretly Canadian has been releasing records and growing organically for 15 years. Now home to a roster of artists including Yeasayer, Jens Lekman, Antony and the Johnsons, Damien Jurado, The War on Drugs, BLK JKS, Here We Go Magic and many more, Secretly Canadian is still proud to call Bloomington, Indiana home.
I'm gonna have to think about this one friends.

Since its inception, Suicide Squeeze has released music in hopes of replicating the indiscernible excitement that comes with first discovering your own favorite albums or songs. The label's current roster of artists - Audacity, The Coathangers, NŸ Sensae, Peace, Tammar, and This Will Destroy You - demonstrate a continuum, and provide hardworking testament to this fact.
Temporary Residence Ltd. is a Brooklyn-based independent music label. Founded in 1996 in Baltimore, MD, the label has developed a reputation for prioritizing art over commerce (and as a result walks a razor-thin line between brilliant and bankrupt on a regular basis). Its roster features roughly 25 active artists, including Explosions In The Sky, Pinback, the Books, MONO, Zammuto, The Black Heart Procession, Maserati, Grails, and many more.
Purveyors of Modern Music & Antiquated Ideals.
Underwater Peoples aims to discover, release, and promote new and contemporary artists with a progressive vision.
We are striving to build a collective without the confines of genre, instead focusing on individuality
and exceptionality. Underwater Peoples is unique in its endeavor to foster and maintain a creative
atmosphere that encourages collaboration between our artists, new and old.

We stand for our artists, their music stands for itself.