Secretly Distributon

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2016-07-08
Wymond Miles: Call By Night

Wymond Miles was raised in the working-class small towns of the American West. On Call by Night, the singer's latest widescreen opus, Miles masterfully evokes that lost landscape, all while grappling with issues of fatherhood, privacy, PTSD, police brutality, and love. The album adds a critical new chapter to the Fresh & Onlys guitarist's story as an artist, and reasserts him as a major voice in contemporary songwriting.

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2016-06-17
John Carpenter: Halloween b/w Escape from New York

Much of the power of the best films by the cult director John Carpenter can be attributed to their use of music - music that, more often than not, was composed and performed by Carpenter himself. What began as a necessity for the low-budget productions by Carpenter became a major part of his aesthetic, and established him as a pioneering figure in genre-film score work as well as electronic music in general. Now, flanked by his son Cody Carpenter and godson Daniel Davies, and with two albums (Lost Themes and Lost Themes II) of non-soundtrack material under his belt, Carpenter has decided to revisit some of his most beloved themes.

This 12" release includes the themes to Halloween and Escape from New York, newly rerecorded by Carpenter and his Lost Themes bandmates. May it serve as a bridge between the Horror Master's legendary, still relevant past and his remarkable present.

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2016-06-17
John Carpenter: Assault on Precinct 13 b/w The Fog

Much of the power of the best films by the cult director John Carpenter can be attributed to their use of music - music that, more often than not, was composed and performed by Carpenter himself. What began as a necessity for the low-budget productions by Carpenter became a major part of his aesthetic, and established him as a pioneering figure in genre-film score work as well as electronic music in general. Now, flanked by his son Cody Carpenter and godson Daniel Davies, and with two albums (Lost Themes and Lost Themes II) of non-soundtrack material under his belt, Carpenter has decided to revisit some of his most beloved themes.

This 12" release includes the themes to Assault on Precinct 13 and The Fog, newly rerecorded by Carpenter and his Lost Themes bandmates. May it serve as a bridge between the Horror Master's legendary, still relevant past and his remarkable present.

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2016-06-03
Psychic Ills: Inner Journey Out

The seekers in New York City's Psychic Ills have spent more than a decade following their muse wherever it takes them. Inner Journey Out, the band's highly anticipated fifth album and first since 2013, is indeed an odyssey, traversing the psych-rock landscape they've carved throughout their career and taking inspired pilgrimages into country, blues, gospel, and jazz. Tracked in New York and mixed primarily by Thom Monahan in California, Inner Journey Out is the culmination of three years of writing.

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2016-05-20
Marissa Nadler: Strangers

For more than 12 years, Marissa Nadler has perfected her own take on the exquisitely sculpted gothic American songform. On her seventh full-length, Strangers, she has shed any self-imposed restrictions her earlier albums adhered to, stepped through a looking glass, and created a truly monumental work.

Once again partnered with July producer Randall Dunn (Sunn O))), Earth, Black Mountain) Nadler has created a new album equal in sonic quality to the apocalyptic lyrical tone that covers its 44 minutes. In places her voice and guitar play off subsonic synths, while elsewhere, as in "Katie I Know," a pulsing drumbeat launches the song off into an intense, confrontational place. "Janie in Love" is another full-band highlight, marrying the album's most allegorically primal lyrics to the melodic hooks that makes Nadler one of the best songwriters working today.

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2016-04-15
Exploded View: No More Parties in the Attic

Exploded View is a new collaborative project helmed by the UK-born, Berlin-based political-journalist-turned-musician Anika (Invada Records / Stones Throw). After playing a string of 2014 solo shows in Mexico with a backing lineup composed of local producers Martin Thulin, Hugo Quezada and Amon Melgarejo, Anika and her new bandmates discovered a chemistry that they simply had to capture on tape. Debut full length out August 19th on Sacred Bones.

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2016-04-15
John Carpenter: Lost Themes II

The musical world of Lost Themes II is also a wider one than that of its predecessor. More electric and acoustic guitar help flesh out the songs, still driven by Carpenter's trademark minimal synth. This manifests itself brilliantly in songs like lead single "Distant Dream," which hitches a familiar Carpenterian beat to an expressive drum performance and rides it to a thrilling conclusion. The eerie "Angel's Asylum" lets an ethereal synth line command the first three-quarters of the song, before turning over the melody to an acoustic guitar, and "Virtual Survivor" delivers a blast of the sci-fi menace that characterized his great scores for films like Assault on Precinct 13 and They Live. Lost Themes II delivers eleven compelling new tracks for which fans can continue to score the movies in their minds.

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2016-03-18
Lust For Youth: Compassion

Compassion restates beauty for a time of crisis and clickbait. Judgement, design, form, and opinion: to what end will we refine our world if we can't also make an anthem of our lives? This is the tender conspiracy: I'm on twitter; I have an anthem. Do we have an anthem? We have lust. Let's meet IRL. Compassion's first single, "Better Looking Brother" was streamed over 50k times in its first month, capping off a highly successful 2015 of worldwide tours and critical social media updates.

Lust For Youth are affectionately vicious, and vulnerably sharp. They are the anticipation of the comedown as you come up on the best you've ever been offered from a bathroom stall. This is the spectrum: a low you know, and a dizzy new height.

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2016-02-19
Marching Church: Coming Down - Sessions in April

Marching Church, formerly an outlet for the mostly solo musical experiments of Elias Bender Ronnenfelt (Iceage, Var), metamorphosed into a full band during the sessions for a 2014 LP on Sacred Bones, This World Is Not Enough. The installation of a permanent supporting cast of collaborators did nothing to tame the project's wild spirit, and that record was an eclectic, eccentric mix of post-punk, improv, soul music, and more. With Coming Down: Sessions in April, Marching Church reaches even further afield, backing an intensely personal A-side with a fully instrumental 21-minute free jazz odyssey.

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2016-01-22
Pop. 1280: Paradise

Paradise builds on 2013's Imps of Perversion LP by venturing further outside of traditional notions of punk, and diving even deeper into outer sounds. Synthesizers, mechanized drum machines, and samplers play as critical a role on the record as the more familiar squall of Ivan Drip's buzzsaw guitar and Chris Bug's vocals. Any noise a band member could make that helped contribute to the record's atmosphere of unease was welcome; synth player Allegra Sauvage adds cello to two songs, and drummer/producer Andy Chugg plays trumpet on the title track. The songs lose none of their primal immediacy through the addition of these new sounds, but the instrumentation lends them a maximalist streak as well. The sessions for Paradise were held at the Population Control Center, and the result is the most collaborative Pop. 1280 release to date.

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2015-11-13
David Lynch & Marek Zebrowski: Polish Night Music

Barren train stations, Polish factories at night, and silent hotels where lonely travelers meet. These are the images and suggested narratives that pervade the spirit of Polish Night Music, the musical collaboration between American filmmaker David Lynch and Polish concert pianist and composer Marek Zebrowski.

Zebrowski and Lynch first met during the Camerimage Film Festival in Lodz, Poland and started to work together during the organic evolution of Lynch's Inland Empire. Originally, Zebrowski served as a translator for the shooting of several Lodz-based Polish scenes in Empire, but upon discovering their shared interest in musical experimentation and improvisation, Lynch invited Zebrowski to his Los Angeles studio to participate in a series of musical experiments. From these initial collaborations, inspired by their unique and distinct connections to Poland, emerged a tangible mood and distinctly modern texture that became Polish Night Music.

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2015-10-16
John Carpenter: Lost Themes Remixed

John Carpenter has inspired countless musicians since his earliest minimal, synth-based film scores. The themes to his features like Assault on Precinct 13, Halloween, and Escape from New York have remained instantly recognizable since he penned them nearly four decades ago. In February 2015, Sacred Bones released his first solo record of non-soundtrack music, Lost Themes, to overwhelming critical success. The Horror Master proved that not only could he perfectly score his own films - he could also score the movies in your mind.

Eight pivotal contemporary electronic artists were moved to reshape the original songs on Lost Themes in tribute to one the genre's great pioneers. Several of the remixes were released as part of the digital deluxe edition of the album, but Lost Themes Remixed marks the first time any of the tracks have been on vinyl.

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2015-09-18
Destruction Unit: Negative Feedback Resistor

For two years now, the psychedelic Destruction Unit has been keeping the world waiting for a new album. And it's not because they've grown up or gotten soft, rather because they've been in the streets and in your backyards, pushing the freek agenda and imminentizing the alien-eschaton. They've been up and down and all around this globe, battling the greedy club owners, show promoters and control pigs to bring the new American heavy underground through your back door. Now here we are, with the psychedelic Unit's second album for Sacred Bones, Negative Feedback Resistor.

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2015-09-18
Rose McDowall: Cut With the Cake Knife

Cut With The Cake Knife was recorded by Rose McDowall in 1988 and 1989 following the break up of her group Strawberry Switchblade. Produced with the aid of several musicians in several studios, the album features songs written for the fabled second Strawberry Switchblade album. More importantly, perhaps, it showcases the honest, direct and life-affirming songs of one of the greatest unsung songwriters of the modern pop era at a tumultuous time in her career.

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2015-06-09
Institute: Catharsis

After demoing for several weeks at home in Austin, the anarcho punk band Institute tracked and mixed Catharsis in just four days between Christmas and New Year's Eve 2014, in New York City with Ben Greenberg at Brooklyn's Gary’s Electric. "Cheerlessness" carves out the perfect trine foundation to aspect both the anthemic "Cheaptime Morals" and the much looser jam "Christian Right" (the latter featuring fellow Texan Andrew Savage of Parquet Courts). Issues of morality, sexuality and religion are all interwoven seamlessly throughout the 10 tracks as the band explores new sonic astral space.

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2015-06-09
Jenny Hval: Apocalypse, girl

Think big, girl, like a king; think kingsize. Jenny Hval's new record opens with a quote from the Danish poet Mette Moestrup, and continues towards the abyss. Apocalypse, girl is a hallucinatory narrative that exists somewhere between fiction and reality, a post-op fever dream, a colourful timelapse of death and rebirth, close-ups of impossible bodies - all told through the language of transgressive pop music.

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2015-05-12
Blanck Mass: Dumb Flesh

Benjamin John Power's newest solo offering as Blanck Mass, Dumb Flesh, was written, produced and recorded in a number of different locations over the space of a year. It began life in Fuck Buttons' 'Space Mountain' studio, moved into a windowless attic space in Hatch End, North London, then was finished up at Ben's new home in Edinburgh. The geographical spread of the sessions is reflected in the shifting landscapes of the tracks and the ever-changing sound-palette used to realize Dumb Flesh as an expansive body of work.

As a work of art, Dumb Flesh is a comment on the flaws of the human form in its current evolutionary state. The frailty of the human body naturally became a resonant and inescapable part of the album's gestation. "We are at the mercy of our genetic heritage everyday. No matter how intelligent we are compared to other life forms, we're still made up of the same building blocks and things can go very wrong". In particular, the first single 'Dead Format' reflects upon this reality, whilst 'Atrophies' and 'Detritus' acknowledge the organic decay we will all inevitably succumb to.

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2015-05-12
The Holydrug Couple: Moonlust

The Holydrug Couple began in Santiago, Chile in 2008, a little over a half-decade after Ives and Manu met for the first time. The two young friends hadn't seen each other in a few years when Manu texted Ives to tell him that he bought a drum kit. They started jamming, and a week later, the band was formed. A flurry of songwriting activity followed, culminating in 2011's Ancient Land EP and 2013's Noctuary, both released on Sacred Bones. Moonlust boldly treads territory that those earlier psych-indebted recordings only hinted at, especially the dreamy French movie soundtracks of the '70s and '80s and the discography of Serge Gainsbourg.

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2015-04-14
Cheena: Cheena

Citing wildly diverse influences - Gary Glitter, Slade, uppers, (cartoonish) depression, Iggy Pop, '70s iron-on font, Sex Pistols, booze and Hawkwind -Cheena's unifying theme is defiantly one of late '70s/ early '80s New York glam and cow-punk. Eschewing the genre boundaries in which their other projects are so deeply entrenched, the band manages to channel a pre-internet spirit painfully nonexistent in this age of Tumblr fashion and Discogs record collectors.