Secretly Distributon

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2018-01-19
Moon Duo: 'Jukebox Babe/No Fun'

"We started playing 'No Fun' after BBC6 Radio asked us to record an Iggy song for his 70th birthday. We added it to our set to work it out for the session and kept playing it every night because everyone loves that song. We worked up a version of 'Jukebox Babe' because our sound engineer Larry got it stuck in his head and was singing it all the time. We figured, we may as well play it if we’re going to hear it all the time.

The Stooges and Iggy, and Suicide/Alan Vega/Martin Rev, are all huge influences on us. But we never want to do faithful covers of great songs, because what's the point. So we tried to push both of the tracks in less obvious directions, incorporating other influences, like California psych and cosmic disco, giving them more of a summer vibe. We knew Sonic Boom was working outside of Lisbon, so we asked him to produce the tracks, recording them in August for maximal summer heat."

-Moon Duo, October 2017

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2013-05-14
Pharmakon: Abandon

Margaret Chardiet was born and raised in New York City. She has been making power electronics / death-industrial music under the name Pharmakon for five years. As a founding member of the Red Light District collective in Far Rockaway, NY she has been a figurehead in the underground experimental scene since the age of seventeen. She describes her drive to make noise music as something akin to exorcism where she is able to express, her “deep-seated need/drive/urge/possession to reach other people and make them FEEL something [specifically] in uncomfortable/ confrontational ways.” Engineered by Sean Ragon of Cult of Youth at his self-built recording studio Heaven Street, Abandon is Pharmakon’s 1st proper studio album and also her first widely distributed release.

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2017-07-14
Psychic TV: Allegory & Self

Beginning in 1982, the conceptual audiovisual troupe labeled Psychic TV set out on a multimedia journey filled with subversion, liberation and rebellion. While the members' previous works took root in the counterculture zeitgeist of late '70s UK punk and conceptual art, it was no longer a question of how to rebel against authority, but rather how to carefully subvert it through collective infiltration. Parallel to Psychic TV, its members formed the anti-cult faction Thee Temple of Psychick Youth, further propagating the Psychic TV message and vision.

While the ensuing years saw Psychic TV's major label infection and record breaking live album release binge, it wasn't until 1988 that the band started to ready itself for a chart-friendly pop endeavor in the form of "Allegory & Self". This would be the band's most notable and successful endeavor but tragically, it would be the final songwriting collaboration between P-Orridge and Fergusson. "Allegory and Self" was a perfect storm of catchy pop melody along with subversive counter-culture reference and occult leanings, packaged in a perfect bundle of underground hits.

Atticus Ross, Leopold Ross and Bobby Krlic: Almost Holy: Original Soundtrack

After the collapse of the Soviet Union, Ukraine's social and political institutions faced massive change, including an increasingly corrupt government and crippled infrastructure. A number of the nation's youth wound up homeless and addicted to a lethal cocktail of injected cold medicine and alcohol. Steve Hoover's documentary Almost Holy follows a pastor named Gennadiy Mokhnenko, who saves street kids, at times by forcible abduction, and brings them to his Pilgrim Republic rehabilitation center - the largest organization of its kind in the former Soviet Union. The film's depiction of a country in the grip of poverty, addiction, and warfare is made even more powerful by its captivating electronic score by award-winning composer Atticus Ross, his brother Leopold Ross, and Bobby Krlic (The Haxan Cloak).

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2011-02-08
The Holydrug Couple: Ancient Land EP

Statement From the Artists: “Two forest travelers, united by the will form the Holydrug Couple. With a minimal formation they managed to create a bluesy exploration, which takes the audience to a psychedelic trance. Like the rhythm of a train, with mid-tempo songs, they provide the audience a dense and misty energy. Without caring much about the contemporary scene they stand up for their own fascination about blues heroes, indian raga and hidden arts.”

Ok, so English isn’ t their first language. But the jist is pretty basic— these two soul brothers got together in Santiago, Chile, started jamming and formed a pretty serious spiritual bond. Part of the ever growing Chilean Psychedelic underground scene (Föllakzoid, La Banda, The Cindy Sisters, La Hell Gang, This Schafferson Jetplane, et al.), Holydrug offer up more pop structured/ vocal heavy tunes than their mates Föllakzoid despite the fact that Ives plays in both bands. We hope to bring both bands over for a US tour next year.

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2017-10-20
John Carpenter: Anthology: Movie Themes 1974-1998

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians. The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016. Anthology: Movie Themes 1974-1998 collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time. Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

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2017-10-20
John Carpenter: Anthology: Movie Themes 1974-1998

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians. The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016. Anthology: Movie Themes 1974-1998 collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time. Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

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2017-10-20
John Carpenter: Anthology: Movie Themes 1974-1998

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians. The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016. Anthology: Movie Themes 1974-1998 collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time. Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

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2015-06-09
Jenny Hval: Apocalypse, girl

Think big, girl, like a king; think kingsize. Jenny Hval's new record opens with a quote from the Danish poet Mette Moestrup, and continues towards the abyss. Apocalypse, girl is a hallucinatory narrative that exists somewhere between fiction and reality, a post-op fever dream, a colourful timelapse of death and rebirth, close-ups of impossible bodies - all told through the language of transgressive pop music.

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2016-06-17
John Carpenter: Assault on Precinct 13 b/w The Fog

Much of the power of the best films by the cult director John Carpenter can be attributed to their use of music - music that, more often than not, was composed and performed by Carpenter himself. What began as a necessity for the low-budget productions by Carpenter became a major part of his aesthetic, and established him as a pioneering figure in genre-film score work as well as electronic music in general. Now, flanked by his son Cody Carpenter and godson Daniel Davies, and with two albums (Lost Themes and Lost Themes II) of non-soundtrack material under his belt, Carpenter has decided to revisit some of his most beloved themes.

This 12" release includes the themes to Assault on Precinct 13 and The Fog, newly rerecorded by Carpenter and his Lost Themes bandmates. May it serve as a bridge between the Horror Master's legendary, still relevant past and his remarkable present.

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2012-02-21
War: At War For Youth

An ongoing collaboration between two of Copenhagen’s most active musicians in its burgeoning punk scene. Loke Rahbek co-runs the Danish label Posh Isolation, sings for the band Sexdrome, and records with Skurv and Damien Dubrovnik while also performing under the solo moniker of LR. Elias Bender Rønnenfelt sings and plays guitar in Iceage and is a member of Marching Church and Pagan Youth. Between the two of them a rich lineage of musical history and influences can be traced, but within the context of SB releases, War is a band who falls somewhere between Daily Void and Trust.

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2013-11-12
David Lynch: Bad The John Boy

On the heels of David Lynch’s hugely successful sophomore full length, The Big Dream, comes a very limited edition 12”, Bad The John Boy. While technically this track qualifies as a non-album or bonus track, this song was made around the same time as the track, We Rolled Together. Producer Dean Hurley elaborates, “In the bridge of that song, David was trying to do this thing where he was shuffling around lyric-based sentences: "Street the up, going girl little crazy..." Bad The John Boy has this shared idea...instead of 'John the Bad Boy,' it's Bad The John Boy..."good to up no" (up to no good. This track is more left of center than the songs on the full length, with vocals being processed straight into the spirit realm, sounding deeply non-human.

Complimenting this sci-fi dirge, on the B-side is a Venetian Snares remix of the album’s title track. Despite the fact that Canadian electronic musician Aaron Funk has been known for reinventing breakcore, in this remix he breathes completely new life into this song, turning it into something far from your typical dance remix.

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2014-10-14
Pharmakon: Bestial Burden

Four days before New York noise musician Margaret Chardiet was supposed leave for her first European tour as Pharmakon, she had a medical emergency which resulted in a major surgery. Unable to leave her bed, Chardiet occupied herself by writing the lyrics and music that would become Bestial Burden, the second Pharmakon LP for Sacred Bones Records. The record is a harrowing collection of deeply personal industrial noise tracks, each one brimming with struggle and weighted with the intensity of Chardiet's internal conflict.

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2010-02-23
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2016-09-30
Jenny Hval: Blood Bitch

Norwegian artist and writer Jenny Hval has developed her distinct take on intimate sound since the release of her debut album in 2006. For her last two solo albums, 2013's Innocence Is Kinky and 2015's Apocalypse, girl, Hval's debut for Sacred Bones, she has received thoughtful and widespread international acclaim for her fascinating voice, singular delivery and markedly non-traditional arrangements which incorporate elements of poetry, prose writing, performance art, and film. Hval has eloquently brought to light issues of both male and female gaze, which for years had been swept under the rug and/or denied all together.

"This is my most fictional and most personal album. It's also the first album where I've started reconnecting with the goth and metal scene I started out playing in many years ago, by remembering the drony qualities of Norwegian Black Metal. It's an album of vampires, lunar cycles, sticky choruses, and the smell of warm leaves and winter." – Jenny Hval

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2011-09-20
Trust: Bulbform

On the heels of the deeply well received 7” single Candy Walls which Sacred Bones released this spring, Toronto’s Trust are back with a four-on-the-floor dance floor anthem. Cashing in on the promises delivered by the KLF, Bulbform is the next in line to define a genre and a generation. The B-side, FTF is an epic masterpiece in its own right about the trials and tribulations of love affairs and will most certainly appeal to fans of their slower, darker work.

Formed in late 2009, Trust have made a lasting mark on the electronic music scene in Toronto. Their music has been described as a "poppy dream sequence soundtrack from dark hearts". They have played shows with the likes of Crystal Castles, Hercules and Love Affair, Washed Out, and Zola Jesus. Trust made their SXSW debut last March, their NYC debut in April, and supported Austra on an East Coast US tour in May. They will be touring the US and UK throughout the fall.

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2016-07-08
Wymond Miles: Call By Night

Wymond Miles was raised in the working-class small towns of the American West. On Call by Night, the singer's latest widescreen opus, Miles masterfully evokes that lost landscape, all while grappling with issues of fatherhood, privacy, PTSD, police brutality, and love. The album adds a critical new chapter to the Fresh & Onlys guitarist's story as an artist, and reasserts him as a major voice in contemporary songwriting.

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2013-10-15
The Men: Campfire Songs

While holed up in a house in upstate NY, The Men took full advantage of their rural surroundings, in-house studio, and lack of recording timelines and obligations. They tracked over twenty-five songs. On top of that they also managed to record five songs acoustically, while sitting around a campfire outside the house.

Before this year is over (2012) they will have already recorded an entire new full length. To say this band is prolific is an understatement; they are teeming, borderline prodigal even. Two of these acoustic jams are alternate takes from the album, “I Saw Her Face” and “The Seeds”. The plugged in version of “Water Babies” appeared on the b-side of their 7” from January, “Patience” and “Turn Your Color” are two entirely new beautiful tracks that highlight this band’s ability to be as gentle as they are commanding.

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2015-06-09
Institute: Catharsis

After demoing for several weeks at home in Austin, the anarcho punk band Institute tracked and mixed Catharsis in just four days between Christmas and New Year's Eve 2014, in New York City with Ben Greenberg at Brooklyn's Gary’s Electric. "Cheerlessness" carves out the perfect trine foundation to aspect both the anthemic "Cheaptime Morals" and the much looser jam "Christian Right" (the latter featuring fellow Texan Andrew Savage of Parquet Courts). Issues of morality, sexuality and religion are all interwoven seamlessly throughout the 10 tracks as the band explores new sonic astral space.