Secretly Distributon

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2018-10-19
John Carpenter: Halloween OST

The 2018 Halloween movie has the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies.

The new soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green's film, its familiar 5/4 refrain stabbing through the soundtrack like the Shape's knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter's famously shoestring original, its musical spirit was preserved.

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2018-10-05
Exploded View: Obey

Exploded View, the international music project of Annika Henderson, Hugo Quezada, and Martin Thulin has returned and taken flight with their second full-length, Obey. The album was recorded at Hugo’s and Martin’s studios in Mexico City with Annika visiting from Berlin. Leaving behind their raw, live recording process, and embracing overdubs and multi-instrumentalism, the band has crafted their most ambitious work to date. The four-piece that recorded the band’s self-titled debut album and Summer Came Early EP became three to create a more concise collection of songs. Their motivation for creating together remains purely passionate and the improvisational spark the band is known for has morphed into the emotional flames of being close friends with a deep desire to make music with each other.

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2018-10-05
Heather Benjamin: Cavegirl Monologue

Cavegirl Monologue is artist Heather Benjamin's most substantial collection to date. Much of the art in this collection is new and unreleased, but it also contains a selection from her artist's books and foldout zines, including the recent Romantic Story collection that was wildly popular and is now out of print. "Because of my roots in DIY zine and comics culture, visual narratives are important to me, though I tend to pursue them in less traditional and more non-linear ways," Benjamin explains. "I'm interested in the stories that form within a singular image as well as in how the images relate to each other through shared use of iconography and theme." The subjects of her recent art are a logical continuation of the larger narrative of Benjamin's body of work: She works to excavate the female human experience as she knows it. Benjamin muses on intimacy, sexuality, self-perception, body dysmorphia, and trauma through her avatars. Her work is diaristic, approaching her subjects through the lens of her own personal experience; each piece can easily feel like a self-portrait. Her women are simultaneously self-assured and crumbled, standing defiantly on their own two hairy legs, yet seeking the shoulder of an empathetic viewer to cry on. Benjamin uses her art to sort through her own trauma and self-analysis, and seeks to give faces, bodies, and narratives to the different facets of her own womanhood. Through that excavation, she reaches for more universal ideas and truths about the relationships people have to each other and to themselves, hoping to guide herself through the abjections and frustrations of her womanhood toward a greater sense of self-acceptance and actualization.

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2018-09-28
Julee Cruise: The Voice of Love

25 years after its initial release, Julee Cruise's sophomore album The Voice of Love is being issued for the first time on vinyl and returning to print on CD, via Sacred Bones Records.

In 1992, after the release of Twin Peaks: Fire Walk With Me, David Lynch, Angelo Badalamenti and Julee Cruise returned to the studio with new compositions as well as the intent to craft previously instrumental score-based material from Fire Walk With Me and Wild at Heart into Julee Cruise songs. The result was 1993's final studio album The Voice of Love.

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2018-09-28
Marissa Nadler: For My Crimes

The eighth album from Marissa Nadler, For My Crimes, is the sound of guilt giving way to truth. The songs stare down the dark realization that love may not be enough to keep two people together through distance and differing needs. By asking these difficult questions about her relationships, Nadler has found a stronger sense of self and a sharper voice as both a songwriter and a vocalist, culminating in her most evocative entry in an already impressive discography.

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2018-09-28
The Holydrug Couple: Hyper Super Mega

It was 10 years ago, in a house on the outskirts of Santiago, Chile, that Ives Sepulveda Minho and Manuel Parra started playing music together, and The Holydrug Couple was effectively born. A decade later, they've made Hyper Super Mega, an album that represents the culmination of everything they've learned in their years as a band.

If Hyper Super Mega feels like a classic pop record, that’s because Sepulveda and Parra spent much of the recording process thinking about the classic pop records of the '60s and '70s. Masterpieces by bands like The Beatles, The Beach Boys, and Fleetwood Mac were all reference points, not always explicitly in sound, but certainly in spirit. The duo approached the mythos of the "classic album" from their own inimitable psych-pop perspective, hoping to make a record that felt authentically like The Holydrug Couple that could fit into the same canon. By that criterion, Hyper Super Mega is a massive success. All the elements that made the band's previous albums Noctuary and Moonlust great are distilled to their purest essence and rendered in obsessive detail.

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2018-08-17
Julee Cruise: Three Demos

Three Demos is a very unique release, featuring the very first demo recordings for songs from Julee Cruise's initial LP with David Lynch and Angelo Badalamenti, Floating Into the Night.

These early versions are fascinating glimpses into the genesis of what became Floating Into the Night and the minimal key ingredients that made the material alchemize. An early version of the album opener "Floating" originally began with a stunning spoken-word intro later dropped entirely from the album version. A revelation in their overarching simplicity, the three-song collection is devoid of the LP's additional arrangement flourishes, and yet still manages to present the same emotional depth charge with only voice, synthesizer and lyric.

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2018-08-17
Uniform: The Long Walk

Following the release of critically acclaimed LP Wake in Fright, which had two songs featured in the new season of David Lynch's Twin Peaks, it was time for Uniform vocalist Michael Berdan and instrumentalist Ben Greenberg to return to the studio. The duo decided to up the ante and add a third member to help perfect their vicious post-industrial dystopian cyber-punk. After some deliberation, Greenberg called upon drummer Greg Fox (Liturgy, Zs) to help round out the sound they were looking for. Using a mix of triggered samples and real drums along with layered synths and good old electric guitar, the trio arrived at what would become The Long Walk after only a few short days in the studio.

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2018-08-03
SPELLLING: Hard to Please

Hard to Please is the debut Sacred Bones 7" release by Bay Area artist Tia Cabral, aka SPELLLING. SPELLLING released her first full length Pantheon of Me in September 2017 and it was self written, performed and produced in her apartment in Berkeley, California. SPELLLING's powerful vocal range dances over compositions that vary from rhythmic and ethereal to crunchy and hypnotic, while all remaining singularly cohesive to her distinct and enveloping sound. Pantheon of Me was Bandcamp's #4 record of the year in 2017 and they raved: "Cabral has it, from her careful sense of composition to her charismatic presence to her ability to communicate with her music straight through to the listener's heart."

Her newest tracks "Hard to Please" and "My Other Voice" (a cover of Sparks' 1979 symphonic disco track) pair together to reflect on bittersweet passions of an obsessive romance. "Hard to Please" presents as dance music but journeys through a swirling climax to something more spiritual. On "My Other Voice" the power of SPELLLING's voice elevates this cover beyond an homage and to a unique vision entirely its own.

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2018-07-13
Alexander Heir: WARRR2K∞//WORK 2014-17

The work of Brooklyn artist and musician Alexander Heir has become one of the defining aesthetics in the contemporary underground music scene, having been prominently involved in designing, printing and producing for countless NYC and international punk and metal artists for over 10 years. Similarly, his clothing brand Death/Traitors has become a counter culture staple, reaching beyond the hardcore punk community, while still embracing its values. In addition to fronting industrial punk band L.O.T.I.O.N. Heir has exhibited around the world, including a solo show at Boo Hooray in New York City in support of his first book, Death Is Not the End. WARRR2K∞//WORK 2015-17 showcases all of Alexander Heir's visual work created since the release of his last book, Death Is Not the End, in addition to a new full-color series exclusive to this volume. Expanding upon war, police brutality, political corruption, and death as his canon of punk subject matter, his latest work brings sci-fi and psychedelia influences into the fold, blending them with his impeccable design aesthetic and signature sense of twisted playfulness. The result shows Heir making his most sophisticated, detailed and demented work to date.

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2018-06-08
Hilary Woods: Colt

Hilary Woods' artistry is one of rare emotive reach. Her minimalist and compositional finesse combine with densely layered atmospheric instrumentation and dreamlike vocals to create music rich with both delicacy and intensity. The Sunday Times hailed her early solo recordings as "a revelation."

After the release of two critically acclaimed EPs, Woods spent 2017 writing and recording songs on an eight-track in an abandoned flat she was living in at the time. Layering piano, synth, tape machine, field recordings, vocals, drone, unadorned beats, and old string instruments, these songs culminate in her debut solo LP Colt. Straddling the acoustic and electronic worlds, Colt is an intensely personal journey through grief, abandonment, and mutating love. Woods navigates this journey with a lyrical potency that cuts through stark piano, sensuous synth work, and textural acoustics. Somewhere between Marissa Nadler, Grouper and Julee Cruise, these songs evoke both the anguish of their content and the ecstasy of their craft.

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2018-06-08
Uniform / The Body: Mental Wounds Not Healing

In Spring 2017, Uniform was asked to support fellow noisy, boundary-pushing duo The Body for a European tour. Having been longtime fans of the band, Uniform vocalist Michael Berdan and guitarist Ben Greenberg jumped at the opportunity. During the planning phase of the tour, Berdan and Lee Buford from The Body started corresponding regularly. Ultimately, Berdan asked Buford if he and The Body cofounder Chip King would be interested in making a collaborative record with Uniform. Buford enthusiastically assented, and the seed of Mental Wounds Not Healing was sown.

The title of the record is a line stolen from the chorus of Ozzy Osbourne's "Crazy Train." Most of the titles are culled from horror literature and cinema, with specific nods to Shirley Jackson, Jack Ketchum, and Elem Klimov. Thematically, the songs have to do with feeling trapped in one's own mind, projecting images over and over again of a future in shambles before it even gets a chance to happen. It is about hopelessness, anxiety, and depression so familiar that they seem like permanent fixtures of one's psyche and identity.

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2018-05-25
Jenny Hval: The Long Sleep

The follow-up to Jenny Hval's acclaimed 2016 album Blood Bitch is The Long Sleep, an adventurous new EP that sees the Norwegian multidisciplinary artist embracing an instinctive, even subconscious, approach to creating meaning. In contrast to Hval's more explicitly conceptual work, The Long Sleep foregrounds the act of composition itself, letting the melodies and structures reveal the other elements of the songs. All of the songs on the EP recycle the same compositional motives, but manipulate them into very different shapes that take them further and further out of their original, "life-like" context.

Hval recorded The Long Sleep with longtime collaborator Havard Volden and producer Lasse Marhaug, along with an ace new supporting cast of talented players from the jazz world - Kyrre Laastad on percussion, Anja Lauvdal on piano, Espen Reinertsen on saxophone, and Eivind Lonning on trumpet. Hval calls them some of her favorite contemporary musicians, and their musical background helps to give the songs on The Long Sleep their intuitive, improvised feel.

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2018-05-25
Various Artists: Outer Himmilayan Presents

Between 1979 and 1982, Nick Blinko and Martin Cooper's Outer Himmilayan Records released 7-inches by three short-lived bands - The Magits, Soft Drinks, and S-Haters - who would nonetheless cast a massive shadow on the UK's burgeoning post-punk/anarcho punk scene. Outer Himmilayan Presents collects all of the music found on those original records, along with rare and unreleased tracks by all three bands. It's a snapshot of a period of frenzied creativity by some of the UK's most thrilling experimental punks.

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2018-05-04
Blanck Mass: Odd Scene / Shit Luck

The first Blanck Mass non-album single since the 2016 release of the majestic 'D7-D5' will be a surprise to some. The crunching sonic twin punch of both cuts are actually in keeping with the Blanck Mass aesthetic, at the harder edge of his previous work, and then some. As the man himself explains: "I grew up playing in punk and hardcore bands so this is no new venture for me, but perhaps as far as Blanck Mass released material goes "ODD SCENE / SHIT LUCK" might be the snottiest. Here we have a couple of Anti-macho pop songs about a pair of walking hard-ons I surreptitiously observed at a truck stop whilst I was out touring last year."

This serves as a quickfire follow up to the recent remix EP, and couldn't be further from that experimental foray into the collaborative experience. Here he goes it alone, and the observational sub-text informs the two most powerful tracks of Blanck Mass' career.

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2018-05-04
Vive la Void: Vive la Void

Vive la Void is the new solo project of Sanae Yamada, co-founder and keyboard player of Moon Duo. Yamada wrote and recorded the self-titled debut album over roughly a two-year period, during windows of downtime in Moon Duo's substantial touring and recording schedule. The dense, shape-shifting atmospheres of the seven songs grew out of late-night basement experiments in the layering of synthesizer tracks, a process that also led to meditations on the changeable nature of memory and perception. The result is an undulating blend of ethereal swirl, low end thrumming, and electric crackle, buoyed by Yamada's understated but captivating vocal melodies and her striking lyrics.

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2018-04-06
Zola Jesus: Okovi: Additions

Zola Jesus' Okovi: Additions LP offers a new angle on her 2017 album, Okovi. The collection pairs four previously unreleased songs from the Okovi sessions with four remixes by a diverse cast of artists. Johnny Jewel turns "Ash to Bone" into a late-night cinematic torch song, Tri Angle composer Katie Gately's "Siphon" is a dark choir of warping angels, black metal band Wolves in the Throne Room's take on "Exhumed" makes the pounding industrial anthem even denser and heavier, and Toronto producer Joanne Pollock (formerly one half of Poemss with Venetian Snares' Aaron Funk) makes "Soak" feel like an aching classical standard- until it starts warping in on itself and goes somewhere else entirely.

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2018-03-30
Amen Dunes: Freedom

Over the course of 10 years, Damon McMahon aka Amen Dunes has transformed continuously, and Freedom is the project's boldest leap yet.

The themes are darker than on previous Amen Dunes albums, but it's a darkness sublimated through grooves. The music, as a response or even a solution to the darkness, is tough and joyous, rhythmic and danceable. It's a sound never heard before on an Amen Dunes record, but one that was always asking to emerge. Eleven songs span a range of emotions, from contraction to release and back again. 'Blue Rose' and 'Calling Paul the Suffering' are pure, ecstatic dance songs. 'Skipping School' and 'Miki Dora' are incantations of a mythical heroic maleness and its illusions. 'Freedom' and 'Believe' offer a street tough's future-gospel exhalation, and the funk-grime grit of 'L.A.' closes the album, projecting a musical hint of things to come.