Bermuda Waterfall = invisible action, unconscious fertilization, the subconscious master plan continuum.
Much of the words to Bermuda (which I feel are the center piece) were written whilst traveling between one place I loved and another place/people I loved, and trying to describe my most potent dreams related to my most potent life experiences. There was a feeling of disappointment in communication with the people that I'm calling out to connect with through my performances and travels in the last year, a feeling of loneliness. Full of yin and yang, and just sitting back and taking a look at my life, something I'm happy with, and came naturally in the words of which I intended for the first time nothing. I'll have to wait a few years before I understand exactly what's going on in the record, in this time in my life, and I'm alright with that, cos i'm into mystery. - Sean Nicholas Savage
TOPS are a four-piece band from Montreal, equal parts girls and guys, delivering a raw punk take on AM studio pop. Change Of Heart / Sleeptalker is a 7" record with their lead single "Change Of Heart" backed with "Sleeptalker". Both songs are featured on their new record, Picture You Staring, which is a lush array of timelessly crafted songs.
Singer Jane Penny gives a new voice to the silent girl at the edge of the circle, disillusioned but honest and unpretentious, a tone complemented by David Carriere's seamless guitar playing and the measured drumming of Riley Fleck. TOPS' subtle arrangements are delivered with a cool restraint that blend with the individuality and self-assured desire of their female lead.
Change Of Heart / Sleeptalker gathers strength through intimacy. Self-written, recorded and produced at Arbutus Record's studio in Montreal, these are impeccable examples of pop craftsmanship that will reward repeat listeners.
Braids are a three-piece experimental pop band from Montreal. In the spring of 2015 they released Deep In The Iris, their standout third record. Companion is the band's latest 4 track EP, written during the Deep In The Iris sessions, and completed during a burst of creative energy in August 2015.
Here Braids use the palette of Deep In The Iris to paint decidedly different vistas - joy, disaffection, thunderous explosion to delicate introspection, the minimalistic power of Companion to the patient blossoming of Sweet World.
Distinct in their own right, these 4 songs are not to be dismissed as b-sides, outtakes, or the lesser of a group of songs. Though it uses Deep In The Iris as a compositional guidepost, Companion is a breathtaking journey all of its own.
A joint release by LA's Hippos In Tanks and Montreal's Arbutus Records, the Darkbloom EP is a thrilling split by d'Eon and Grimes. Once both rising stars in Montreal's independent music scene, they produced their respective sides independently, though the project was conceptualized together.
Harnessing the dark energy of her sophomore album Halfaxa, along with the shimmering dream pop of her debut Geidi Primes, Grimes' side represents a synthesis of her two sonic personalities. Displaying a level of clarity and craftsmanship heretofore unseen in her releases, Boucher presents a stunning new collection of ethereal dreamscapes that expand her creative palette without compromising the spectral presence she is known for.
Following the Middle-Eastern-tinged R&B of 2010's Palinopsia, d'Eon's continuous, circular suite addresses reliance on technology through both lyrical content and sonic allusion - for example, "Telepathy" samples cell phone interference. d'Eon broadens his stylistic breadth through reference to a number of electronic genres - for example, he simultaneously incorporates elements of Chicago footwork and new jack swing, but surprises the listener with strange forays into bygone genres such as UK drum and bass and trip hop.
Presently available worldwide on CD and Digital formats, Darkbloom will be available on vinyl, for the first time in many territories, on May 20th, 2016.
"Jimi Hendrix said you need fantasy", says Toronto's Lydia Ainsworth," to see reality more clearly." On her sublime second album, Darling of the Afterglow, Ainsworth upholds Hendrix's wisdom in the best way. Vividly imagined and richly felt, the follow-up to Ainsworth's Juno-nominated Right from Real (2014) is an album of intimate emotions projected in heightened widescreen, where yearning pop classicism and classical smarts merge with other-worldly synthetic sounds and weird-gothic R&B infuences.For Ainsworth, it represents a great leap of confdence from her prodigious debut, whether she's conjuring the crystalline harmonies and deaths-head rhythms of The Road, the lush earworm pop of Ricochet or the small-hours reverie of WLCM. Blessed with an extraordinarily supple voice, Ainsworth commits herself fully on all fronts, honouring the words of Afterglow: To play it safe is not to play at all.The album title itself came to her while she was out of her element, explains Ainsworth, living near LAs Echo Park - home to the Art Deco statueÂ‘Nuestra SeÃ±ora Reina de Los Angeles (Queen of the Angels). "Walking around the lake just after sunset at a time when I was desperate for human connection, I found comfort in this statue. She gave me the inspiration for the lyrics to the song. It was as if she was singing them to me." Pass the message on: Darling of the Afterglow is a bold, beautiful album from a voice ready to be heard.Darling Of The AfterglowAvailable March 31st, 2017 via Arbutus Records.
Braids are a three-piece experimental pop band from Montreal.
To record their third album, Deep In The Iris, Braids decamped to a series of retreats in the mountains of Arizona, Vermont, and upstate New York. Surrounded by nature in all its warm vitality, the longtime bandmates strove to shed the fabric of their day to day relationships, being bare and vulnerable before one another. What resulted is Deep In The Iris, their strongest record to date - powerful, yet fragile; immaculately sculpted, but deeply human.
Raphaelle Standell has always had a formidable voice but rarely has it sounded as vital, focused, and powerful as it does here. True to the process that birthed it, the record explores a number of heavy subjects, including pornography, abuse, and slutshaming. Standell's emotional vulnerability becomes a triumphant weapon in its own right: scything through wrongdoing and shame with equal aplomb, and clearing the way for the many others who will find resonance in the bravery of these lyrics. Written from a place of inspiring strength and unblinking lucidity, the lyricism of this record is a cathartic gift.
Deep In The Iris, out April 28th on Arbutus Records.
Picture your fiercest self, taking your more introverted self on a loving pep-talk-fueled shopping spree. Imagine the feeling of driving down the highway listening to Springsteen with a car full of friends. Bathe in the comfort of lying in bed next to a bag of M&M peanuts watching Twin Peaks. Welcome to Sorry Girls.Easier - their new 7" / double single - presents a culmination in Sorry Girls' sound. Equally steeped in lament and celebration, its two songs are driven by uplifting vocals and synth-heavy arrangements. Cruisin' power pop that cries equally with joy and sorrow. All the pleasure and regret felt by a hypochondriac who can't resist a good cigarette.Sorry Girls is a Montreal based duo consisting of Heather Foster Kirkpatrick and Dylan Konrad Obront. The two met in 2008 while studying at university, making joke songs on GarageBand together over pots of Kraft Dinner on the floor of their friend's apartment. Easier marks the band's first release with Arbutus Records.
Mozart's Sister is the solo project of Montreal's Caila Thompson-Hannant. Her new album - Field of Love - is an explosion of glittering, celebratory pop. Intense, yet vulnerable, Field of Love marks a distinct growth in her artistry, and a departure from her critically-acclaimed debut Being (2014) Writing for Field of Love began in early 2015. Reliving her childhood love of 90s dance pop, Caila wanted to capture the spirit of the era's pop song - colourful, cartoonish, goofy, but always earnest. Throughout the writing process, she maintained only one rule: follow through on every musical desire. The critique could happen later, once the fun was finished. Ditching barriers and prejudice, her aim was to make music everyone was invited to. "I wrote Field of Love at a point when I truly did feel I was floating in a field of love. Once I got going the song-writing process happened very easily. As the songs came I realized: oh I really like these. There was a naivety to them and I felt like I could really cut loose when writing".
Field of Love is out February 17th, 2017 via Arbutus Records.
After having released their critically acclaimed debut Native Speaker in 2011, and hot off the heels of their 12" single In Kind // Amends, BRAIDS have returned with their new LP Flourish // Perish out August 20th on Arbutus Records.
After 18 months of touring in support of Native Speaker, along with the departure of a band member, the group secluded themselves in their Montreal studio for a year of writing and recording. While Native Speaker was written in an organic and live environment, the group sought to explore a more introspective and electronic approach to songwriting. Sonically, the songs from these sessions are delicate and tight, yet thoughtfully open up to the rich lushness reminiscent of their older material. Lyrically they are honest and vulnerable, demonstrating the group's emotional growth and maturity since their last record.
With Flourish // Perish, BRAIDS marks an exciting new partnership with Montreal-based label Arbutus Records.
Geidi Primes is Grimes' debut LP. Originally available as a free download, and a limited release of cassettes, it's now available worldwide on CD/LP/Digital.
It has a strange air of being created unconsciously while the artist herself was asleep. It is a vastly intriguing set of pop tunes highlighted by its amazing fifth and sixth songs: "Avi" and "Feyd Rautha Dark Heart", which are each frighteningly reminiscent of an unaccountable psychic experience you may have never had.
It seems like an album made for very tall people about what it's like to be very small. It calls to mind the glowering of a child king amidst the many vestments and decorations of his coronation. Listening to Geidi Primes is what its like to suddenly realize you are being watched while taking a cold shower... on the moon.
Halfaxa is Grimes' sophomore LP. Originally available as a limited CD release, it's now available worldwide on CD/LP/Digital.
Claire Boucher speaks a different language. And Halfaxa, her second album, feels like the dictionary from which we might discern just where this being comes from. Halfaxa is simultaneously more human than Geidi Primes, and yet falls deeper into a hole of mystical obscurity. The lyrics, as throughout this album, are designed to be an additional instrument, and not necessarily a device that gives obvious meaning to the proceedings.
There is a strong focus on primeval and simplistic percussion to Boucher's music, though I am apprehensive to compare it directly to club music. Even with all the fog and barriers she presents us with, at the core of her music is the human heart. There is a heartbeat in every note. Her breath is often used as a percussive element. Somehow, Grimes says more about life through her methodology than through what she literally chooses to say. Like all great world music, her sound transcends language.
Moon King is the alias of producer, singer & songwriter Daniel Benjamin. Born in Toronto, the musician recently moved to Detroit, where the musically fertile & offbeat neighborhood of Hamtramck became both his home and the subject material for a new set of recordings. Hamtramck '16 documents his arrival into a new and unfamiliar environment combined with a growing obsession for underground dance music, a sound & spirit that has always felt right at home in Detroit.
Collaborating with local artists & musicians, and having the freedom to stretch out after several years of constant touring, Daniel put together a completely new band with a sound drawing from dance music's early days, from post-disco pioneers like Klein & MBO, to the house music of Larry Heard, and up through the more pop-oriented songcraft of the Bee Gees or Prince. Daniel's attention to detail in production, and willingness to break the mold of what he sees as his own potential, have made him an interesting figure to watch. With Hamtramck '16 he has created a lo-fi pop gem that will leave listeners eager to hear what comes next.
After having released their critically acclaimed debut Native Speaker in 2011, BRAIDS have returned with a new 12" single In Kind // Amends. Out June 11th on Arbutus Records, the 12" features two singles from their forthcoming sophomore album, as well as two exclusive b-sides.
The first single "In Kind", hits the pinnacle of the group's songwriting as a four piece. Written live, it is a layered and emotionally raw saga. The second single, "Amends", is a strong contrast, and shows the group's exploration into electronic and dance music. Filling out the 12" are two exclusive tracks that explore the textured and atmospheric side of the band - the subtly percussive "Near Enough" and the mesmerizing "A Dawn in Me".
Marooned in a world of 24-hour status updates, Doldrums - aka Toronto native Airick Woodhead - is out to reclaim a space for the individual in a hyper-connected society. Fusing classic pop melodies and electro-hallucinogenic freak-outs, Doldrums' androgynous voice floats on a sea of chopped up samples and primal percussion to create the perfect soundtrack to nostalgia infused solitude. Beginning in 2010 as a series of videos and websites posted for fictional bands under various pseudonyms, Woodhead gained notoriety in Toronto as 'Doldrum' through performances at Everlasting Super Joy, his studio and DIY venue co-run with members of DD/MM/YYYY.
2011 marked his continued rise, with a burst of 7" releases and a VHS mixtape of original music videos. Notably, his interpretation of Portishead's 'Chase the Tear' came to the attention of the band, and it's inclusion as the B-side to the track's single on XL led to the release of a debut EP, Empire Sound, through cult London indie No Pain in Pop. An integral part of the Arbutus community since it's inception, Doldrums is one of the first acts to join the Arbutus family since its initial roster in 2010.
This fall sees the release of Sean Nicholas Savage's latest record, Other Death. Savage, a master of tenderness, reflection and projection, has released and toured relentlessly in pursuit of the rarer beauties found only in the nuance of pop song and performance.
Other Death was recorded in Santa Monica, Los Angeles as a collaboration with Agor, of Savage's Arbutus labelmates Blue Hawaii, while Errhead of Doldrums plays on much of the record. Ramona Gonzalez Nite Jewel also makes an appearance, as do TOPS' Jane Penny and David Carriere. This is Savage's highest fidelity recording to date, with daring, captivating, and as always minimal and soft production style. In contrast to his usual introspection, Other Death is immediately more upbeat, uptempo, confident, inspired and delivers more consistent pop singles than any of his previous records.
Savage is not playing to the middle. Here he gives his listeners, those who crave a harder SNS smack, the energy they crave. This is the release fans will turn to when they want to feel the sophisticated, delicate, and enchanted music of Sean Nicholas Savage at its most brave, free and loud. It's as if upon being tossed a copy of Other Life, Savage reads the message; "Other Life?" and throws it back at us in blood red, "Other Death".
Sean Nicholas Savage is driven by the magic of the voice. A fixture of the Montreal music scene, Savage uses his instrument to express both the strength and fragility of the human experience. In his writing, Sean has the keen ability to articulate the intricate emotions of everyday life and romance with a measure of specificity and maturity uncommon to most singer-songwriters.
This is a collection of deep and personal songs, which showcases a focused, darker side not seen on his previous titles. Welcome to Sean's Other Life.
TOPS are a four-piece band from Montreal, equal parts girls and guys, delivering a raw punk take on AM studio pop. Their new record, PictureYou Staring, is a lush array of timelessly crafted songs. Singer Jane Penny gives a new voice to the silent girl at the edge of the circle, disillusioned but honest and unpretentious, a tone complemented by David Carriere's seamless guitar playing and the measured drumming of Riley Fleck. TOPS' subtle arrangements are delivered with a cool restraint that blend with the individuality and self-assured desire of their femalelead.
Picture You Staring gathers strength through intimacy. Self-written, recorded and produced at Arbutus Records' studio in Montreal over the course of a year, this album contains 12 impeccable examples of pop craftsmanship that will reward repeat listeners.
Paula is the music of gifted songwriter and producer, David Carriere. Though his work with past and present bands TOPS and Silly Kissers (disbanded) is known and loved by many, Relaxed Fit is his first solo record.
Lacking restraints or confines, Carriere's arrangement ushers the listener within layer upon layer of addictive pop hooks, an assault of programmed drums, synth lines, guitar, and refreshingly candid vocals. Though it references 70s punk, 80s synthpop, and 90s hip hop, the music remains unmistakably contemporary. The lyrical content is true to traditional pop motifs, but these themes are recontextualized through Carriere's air-conditioned attitude. Married to the recordings, the sound translates as distinctly punk, raw, and genuine. Paula's music is both the strength and the fragility that holds human nature together.
On July 16th, Arbutus Records will digitally re-release Relaxed Fit with two previously unheard bonus tracks 'Black Acura' and 'Totally Nice'. The release coincides with the vinyl release of Relaxed Fit, available through Ethereal Sequence Records (Drag City).
Composer / producer / singer Lydia Ainsworth has been secretly writing and recording songs over the past three years from bedrooms and basements between Toronto and Brooklyn. What began as pass-time sketches between composing music for film and multimedia projects has over time revealed an enchanting collection of experimental pop songs with a life of their own.
Blurring the boundaries between indie music, filmic orchestration, and electronic music, Lydia's debut "Right From Real" thrives on haunting melodies and draws inspiration from a wide range of musical sources - Verdi's Requiem, Ace of Base, Bulgarian Choirs, Bernard Herrmann, Tones on Tail, Art of Noiseâ€¦ to name a few. This sense of unexpected marriages of influence flows throughout much of Lydia's work which features use of voice sampling and string arrangements woven into a unique minimalist fabric.
Lydia Ainsworth's debut "Right From Real" will be released 09.30.14 on Arbutus Records.