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2018-08-17
Julee Cruise: The Voice of Love

25 years after its initial release, Julee Cruise's sophomore album The Voice of Love is being issued for the first time on vinyl and returning to print on CD, via Sacred Bones Records.

In 1992, after the release of Twin Peaks: Fire Walk With Me, David Lynch, Angelo Badalamenti and Julee Cruise returned to the studio with new compositions as well as the intent to craft previously instrumental score-based material from Fire Walk With Me and Wild at Heart into Julee Cruise songs. The result was 1993's final studio album The Voice of Love.

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2018-08-17
Julee Cruise: Three Demos

Three Demos is a very unique release, featuring the very first demo recordings for songs from Julee Cruise's initial LP with David Lynch and Angelo Badalamenti, Floating Into the Night.

These early versions are fascinating glimpses into the genesis of what became Floating Into the Night and the minimal key ingredients that made the material alchemize. An early version of the album opener "Floating" originally began with a stunning spoken-word intro later dropped entirely from the album version. A revelation in their overarching simplicity, the three-song collection is devoid of the LP's additional arrangement flourishes, and yet still manages to present the same emotional depth charge with only voice, synthesizer and lyric.

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2018-08-17
Mitski: Be The Cowboy

The breakout success of 2016's Puberty 2 saw Mitski hailed as the new vanguard of indie rock, the one to save the genre from the white dudes who've historically dominated it. But the often overlooked aspect of being a rising star is the sheer amount of work that goes into it. "I had been on the road for a long time, which is so isolating, and had to run my own business at the same time," Mitski explains, "a lot of this record was me not having any feelings, being completely spent, but then trying to rally myself and wake up and get back to Mitski. I was feeling really nihilistic and trying to make pop songs."

We want our artists to be strong but we also expect them to be vulnerable. Rather than avoiding this dilemma, she addresses directly the power that comes from appearing impenetrable and loneliness that follows. "With a lot of the romantic infatuations I've had," she says, "when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy figure that I so desire." In Be The Cowboy, delves into the loneliness of being a symbol and the loneliness of being someone, and how it can feel so much like being no one.

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2018-08-17
SadGirl: Breakfast For 2

On their new 7" for Suicide Squeeze Records, SadGirl not only harnesses a golden oldies sound with "Breakfast for 2", they touch upon its traditions as well. "It's a follow up to one of the first tracks I wrote for the project, 'Breakfast Is Over'. It's meant to be a sequel in line with rock n' roll and oldies tunes like 'It's My Party' and 'Judy's Turn To Cry', or 'Johnny B. Goode' and 'Bye Bye Johnny'," says guitarist/vocalist Misha Lindes. The flipside features a cover of the surf classic "Jack the Ripper" by Link Wray. "I’m a big fan," says Lindes, "but I’m also a huge fan of the late Israeli neo-rockabilly / surf guitarist Charlie Megira, who passed away in November 2016, and Charlie has an amazing version of 'Jack the Ripper'," says Lindes. "So our version is really an homage to Charlie as much as it is to Link Wray."

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2018-08-17
Uniform: The Long Walk

Following the release of critically acclaimed LP Wake in Fright, which had two songs featured in the new season of David Lynch's Twin Peaks, it was time for Uniform vocalist Michael Berdan and instrumentalist Ben Greenberg to return to the studio. The duo decided to up the ante and add a third member to help perfect their vicious post-industrial dystopian cyber-punk. After some deliberation, Greenberg called upon drummer Greg Fox (Liturgy, Zs) to help round out the sound they were looking for. Using a mix of triggered samples and real drums along with layered synths and good old electric guitar, the trio arrived at what would become The Long Walk after only a few short days in the studio.

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2018-08-17
Various Artists: Teen Expo: The Cleopatra Label

From a basement in New Jersey, Tommy Falcone remade himself into a DIY Phil Spector. From 1962 to 1970, he founded and ran Cleopatra Records, discovered and mentored young Garden State talent, wrote songs and produced wild studio effects, and quit his day job to promote it all himself. Trained as an accordionist, Falcone had a whirlwind imagination and an omnivorous approach to genre, expressed through acts like the Centuries, the Tabbys, Johnny Silvio, the Inmates, Bernadette Carroll, the Hallmarks, Vickie & the Van Dykes, the Shandillons, Eugene Viscione, the Shoestring, and more. Cleopatra became a time-capsule of every 1960s pop style imaginable - garage rock, psychedelia, surf, girl groups, soul, novelties, exotica, even a crooner - a kaleidoscope of sound in search of the ever-elusive hit record.

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2018-08-17
WAVVES: WAVVES

Ghost Ramp is proud to announce the 10th anniversary re-issue of WAVVES' iconic debut record! Critically acclaimed and an underground favorite, the self-titled "WAVVES" record is a flurry of noise rock and sludgy, distortion-heavy pop from one man band, Nathan Williams. With undeniably catchy melodies and raw, passionate guitars, "WAVVES" has held the test of time and remains an infectious rock album that exudes the kind of raw and noisy adrenaline that all rockers crave. Disorienting and blissed out, the record has been called "exhilaratingly immediate" and rightfully catapulted WAVVES into a decade-long career with 6 full-length LPs, countless side projects and a swarm of die hard fans.

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2018-08-17
WHY?: Alopecia (10 Year Anniversary Edition)

"I'll go unknown by torpedo or Crohn's / Only those evil live to see their own likeness in stone." It's the kind of couplet you'd carve into a wall whilst savoring the irony at hand, but when Yoni Wolf spit the line ten years ago he was blissfully, broodily unaware that he and his band WHY? were creating a career defining album -- one so fan adored that it would go out of print, and so influential that the artpop heroine Lorde herself would lovingly steal the very lyric quoted above. When it dropped in 2008, Alopecia not only marked WHY?'s evolution from a sonically collaged mostly solo project to a live recorded powerhouse band of badass multi-instrumentalists. It also minted a genre of one: wryly written, poignantly posed, simultaneously swaggering and heartrending songrap that jangles like folk, bursts like psychrock, and sways like chamber pop. To this day, there is no other group in the known universe that sounds or feels like WHY? does on Alopecia. The album's 2018 reissue cheekily etches that aural likeness into our musical history.