Everybody's still talking about the good ol' days! A rough and rugged collection of Numero Group classics that have inspired swarms of killer beats. A head nod to the sounds of Shaolin, the thirteen chambers of Shanghai'd Soul have led a generation of lyrical chefs and production geniuses to compose some of their most ominous hip-hop. Bound by heavy drums, moody chords, and haunting melodies, Gods and Earths alike will appreciate the raw funk and smoother-than-a-Lexus soul that come together like Voltron on this special compilation.
After the initial blast of punk rock bands made their impression on the youth of the late 1970s, subgenres quickly emerged. Some preferred the faster, louder aggression of hardcore, others the angular danceability of post-punk, some the raw and more personal home-made sound of DIY, and so on. Looking back among and between these genres we now recognize various blends of punk, post-punk, goth rock, industrial, and DIY as "deathrock." In 2014, Sacred Bones Records launched the series Killed By Deathrock to document an entire scene of bands that haven't yet received proper recognition. This is the second volume of that series.
The CD release of DFA Records Compilation #1 came out in days of yore, when the iTunes store did not exist, when iPods were more coveted than your phone. The only way to hear the first batch of singles DFA released was to seek out the vinyl and lots of people did.
This magical mythical first group of releases from DFA included "House of Jealous Lovers" by The Rapture, "Losing My Edge" & "Give It Up" by LCD Soundsystem. It also included two very different approaches to dance music from The Juan Maclean - "By The Time I Get To Venus" and "You Can't Have It Both Ways", which subtly introduced the world to the vocal powers of Nancy Whang.
Black Dice also released a 12" single, throwing their noise roots behind a 4/4 screech and created one of the most unique singles in the DFA catalog with "Cone Toaster".
The compilation was edited to fit onto one CD, more a sampler than a completist's anthology. In hindsight, it should have been an anthology of the first 5 singles in full but the A sides had enough momentum happening to make the sampler a bonafide success for the label.
The 8.0 review from Pitchfork in 2003 helped cement the DFA label as both the leaders of a new production approach, as well as a collection of artists who could co-exist make music together and please both the discerning DJ and the indie rock enthusiasts.
In the review, the writer Nick Sylvester calls DFA "The Neptunes of the discopunk underground", which maybe seems funny and far-fetched now, but back in 2003 was a compliment and comparison that DFA were very willing to accept. It is now 2016 and both parties continue to work and stay busy and relevant. Success being relative, this compilation represents the humble beginnings of the label and the birth / re-birth of DFA flagship artists The Rapture, The Juan Maclean, LCD Soundsystem & Black Dice.
This is the first time this title has ever been pressed to vinyl.
From his studio in central Bobo-Dioulasso, photographer Sory Sanlé documented a nation's transformation from colonial foothold to cosmopolitan oasis. Bobo Yeye: Belle Epoque in Upper Volta provides an intimate look into the landlocked nation's pop culture explosion of the 1970s. A melange of community elders and emboldened youth spill from the brightly lit confines of Sanlé's Volta Photo into the dimly lit nightclubs of Upper Volta's cultural capital. Accompanying this hardbound monograph are dozens of rare and evocative recordings spread over three discs by Bobo-Dioulasso's musical titans: Volta Jazz, Dafra Star, Echo Del Africa, and Les Imbattables Léopards.
The formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. But while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain.
A decade removed from our acclaimed Home Schooled compilation comes a fresh batch of talent show titans. With enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like Magical Connection, Little Man and the Inquires, and Five Ounces of Soul emulated the Jacksons, who'd made grade-school stardom appear easy as ABC. Afterschool Special: The 123s Of Kid Soul contains 19 tiny tunes ranging from bilingual D.A.R.E. anthem, to James Brown bio, to young love and life beyond the playground.
FatCat Records' 130701 imprint has played a pioneering role in the development of today's vibrant post-classical scene. It has introduced the likes of Max Richter, Hauschka, and Set Fire To Flames, and has been home to Sylvain Chauveau, Johann Johannsson, and Dustin O'Halloran. With its fifteenth anniversary approaching on 13th July 2016, 130701 is celebrating with the release of a compilation featuring eleven exclusive tracks - one from each of the artists to have graced the roster over the past fifteen years, plus three new signings - Ian William Craig, Olivier Alary and Resina - whose first 130701 albums are each set to appear this year. Curated and compiled by 130701's David Howell, none of these tracks has previously seen a physical release.
Hear the document of one man's passion crossing over into obsession. Chicago radio disc jockey and soul archivist Bob Abrahamian was deeply devoted to celebrating and documenting unknown Chicagoland group harmony music. Upon his untimely passing in 2014, he left behind hundreds of radio programs and a daunting collection of 35,000 carefully-selected 45s. Our collection borrows its title from Abrahamian's long-running and acclaimed WHPK radio show, and it spins a tale that's cautionary, inspiring, and set to the sounds of the impossible-to-find tracks that made Bob Abrahamian's on-air playlist and animated the radio programs that were his life's work. Collected here are 12 artists (16 on the CD) featured on Sitting In The Park, in their own words and through the lens of our friend Bob.
A decade into its limitless ambitions, Numero's flagship Eccentric Soul series is effectively remapping the American soul diaspora. Each compilation explores, in exacting detail, another US city's smallest time hooks and would-be world beaters tossed into the glutted big-hole record sea of the 1960s and '70s. In Eccentric Soul's alternate universe are motley and mishandled Motowns beyond number, and the unforgettable records that could have, and should have, and never did. Find their stories here, retold for the first time.
BIS001-020 is a compilation surveying the first twenty Beats In Space Records releases. In keeping with the sensibility coveted by Sweeney during his time on air, it's clear what makes these releases harmonious. There's an attitude a little bit rude, but softened with sensitivity. There is a sense of motion narrative and duration; a dedication to crescendo, a theatricality that never yawns. An appreciate for melody, but not at the expense of propulsive percussive textures.
Twang reigned, the shitkickers kicked shit, and the vaguely western-sounding guitar records piled up. Country-rock became "the dominant American rock style of the 1970s," as Peter Doggett's comprehensive Are You Ready for the Country put it much later. Wayfaring Strangers: Cosmic American Music picks up and dusts off golden ingots from the dollar-bin detritus of that domination, to reconstruct events as seen from the genre's real Wild West - America's one-off private press label substructure.
This sonic companion to Entertainment comes straight from the record collection of top-secret Neil Hamburger alter ego Gregg Turkington, an avid gatherer of privately pressed curios and the self-proclaimed #1 fan of Frank Sinatra Jr. Joining the Son of the Chairman of the Board on this limited edition LP is a cast of downtrodden personalities, including a emphatically Los Angeleno nun, an Italian-language folkie whose guitar laments the Vietnam war, and a Columbus, Ohio, civil rights activist and record man. Included are interstitial dialogue snippets, one of which lets co-star John C. Reilly supply a bizarre rendition of "Away In A Manger."
Where in the mythos of punk is there room for a frizzy-haired cinephile San Diegan? How could the defining rock attitude and look of the late 1970s get brainstormed by two go-nowheres from a boarding school in Hockessin, Delaware - a D student and kid voted Most Unknown by his senior class?
Forget the worn-out yarns about London gobbers and safety-pin piercings - the true story of the birth of punk rock on 45 is the story of Ork Records, captured by Numero Group on four hefty LPs (or two shiny compact discs) and told across 120 high-gloss pages (184 for the CD) filled with insider photos and sordid details. It is a story populated by iconic names like Television, Alex Chilton, Lester Bangs, Richard Hell, the Feelies, Patti Smith, Talking Heads, Brian Eno, Blondie and the Ramones. And it's a tale told from the hallowed grounds of CBGB, Max's Kansas City, and Ardent Studios.
It all began with Terry Ork, a Jewish SoCal film nerd enthralled by Andy Warhol's posse as they made a transgressive surfing flick, who moved cross-country to manage a movie memorabilia shop on the grubby streets of the Lower East Side. Made in the shadows of disco and dereliction in late-'70s Manhattan, Ork Records: New York, New York is not just the genesis of punk, it is the birth of the New York City scene and indie culture as we know it.
The rawest, DIY gospel ever resurrected. The West Side of Chicago was just an annex of the deep rural South for Gene Autry Cash and his flock of recent Old Dominion transplants looking to cut their fiery, unadorned sounds indelibly to plastic. His Jade label absorbed those God-fearing artists: family bands with wailing kids and barely amateur groups sourced from local parishes, infused with reverberations of country and western and deep soul. Glinting authenticity shines from every track like a diamond in the unpolished rough - each group completely convinced that salvation comes through song.
Released back in 2008, the original collaboration between Adult Swim and Ghostly International, Ghostly Swim was praised for its adventurous survey of exploratory dance and pop music. Our curatorial focus has shifted this time around, moving further inward (spiritually) and outward (as far as our roster goes) to reflect the electronic underground in all of its hazy and vibrant experimentalism. Ghostly Swim 2 is a document of textured ambient zone-outs and woozy, granular house and techno, featuring original tracks from Shigeto, CFCF, Dauwd, Galcher Lustwerk, and more.
In the spirit of AIP's dodgy regional garage rock series Highs In The Mid Sixties comes Lows In The Mid Sixties Volume 54: Kosmic City Part 2. This set of roughhewn cobblestones was culled from the remnants of Cavern Sound - Independence, Missouri's subterranean studio of choice - and covers that thin swath of the late sixties when American teens were imitating the Beatles. All of the artists here barely mustered a session of cover tunes, much less a single, taking this compilation beyond Nuggets; These songs are gold flecks in the rustiest of mining pans. All brought to you by team Numbero. Numbero: We dig deeper in graveyards so you don't have to.
For 23 straight Saturday nights of 1982, The Chicago Party dance show assaulted Chicagoland UHF eyeballs with Spandex, Southside fly guys, tender tenderonies, magicians, contortionists, prismatic video gimmickry, and lip-synched singles by a rising regime of local post-disco casualties. Unfettered nightlife and outlandish humor poured out of oddball outpost The CopHerBox II and onto TV screens, presented here as a 100 minute video mixtape on DVD. Its companion compilation features five previously unreleased tracks, joined by music culled from a trove of self-released 45s and small-time 12"s. Die-cut cathode-ray jacket and six in-package stills put the Party at your fingertips. Available on CD or 2xLP, each edition of Ultra-High Frequencies: The Chicago Party will arrive in one of six cover configurations, all of which are interchangeable via printed inner sleeves and enclosed booklet. Both editions include our entertaining DVD mix tape, isolating the most absurd and outrageous moments from the original broadcasts. Play functions enable viewers to enjoy 23 unique musical performances, as well as a mini-documentary about the creation and realization of The Chicago Party. For fans of electronic soul with a public access aesthetic, Ultra-High Frequencies: The Chicago Party is the place to be.
The music of SONY Playstation's Hohokum mirrors the game's eclectic and detailed landscape, with a wide selection of Ghostly artists contributing their songs. Between musicians and producers like Tycho, Shigeto, Matthew Dear, and Com Truise, the soundtrack is a fully realized exhibition of contemporary electronic sounds. The Hohokum Soundtrack arrives on August 12 as a 22-song digital compilation and on October 28 as a rainbow-colored 12" vinyl sampler featuring seven special cuts.
ALL YOUR FRIEND'S FRIENDS is a seminal Northwest Hip-Hop compilation album produced entirely off of samples pulled from the K catalogue. Featuring over 30 of the most unique MCs from the region including members of mega-crews Oldominion and the Sandpeople, the album also introduces a host of hidden talent from OLYMPIA, WA - K's sonic stomping ground.
Not quite hell, but close enough. Local Customs: Cavern Sounds covers six years lost in the deranging darkness of Independence, Missouri's Pixley limestone mine, where a team of misfit engineers captured the reverberating echoes of Kansas City's rock 'n' roll blasting cap. Taped in the subterranean studio headspace of Cavern between 1967 and 1973 are previously unissued recordings by Jaded, Larry Sands & the Sound Affair, Sheriff, Mulligan, Stone Wall, Morningstar, the Montaris, and the Dantes, alongside the most explosive tracks released on KC's Pearce, Rock, and Cave labels by the likes of the Reactions, Burlington Express, the Classmen, Fraight, American Sound Ltd, Baxter's Chat, 21st Century Sound Movement, Pretty, Tide, and A.J. Rowe.
No description available right now...
"Our journals and recording equipment were ultimately confiscated and stolen by the MNLF rebels. We escaped with a single cassette, the clothes on our back, and our lives."—David Blair Stiffler
In 1988, David Blair Stiffler risked life and limb to document under-recorded cultural groups living lives of extreme isolation in the mountainous Philippine regions of Nueva Ecija, Aurora, and Luzon. These are the fruits of that expedition.
In the grand tradition of ethnographic recordings that made up the majority of Folkways' vast and significant catalog comes Music from the Mountain Provinces. By the mid-1980s, David Blair Stiffler was already a most-decorated recordist, with eight Folkways LPs under his belt. These are among the most obscure documents in the entire Folkways catalog. Although the works of Jose Maceda and Nicole Revel heavily documented much of the Philippines' countryside inhabitants with a thorough and sober effort protracted over the decades, Stiffler brought his own panache into the equation, capturing gorgeous and revelatory moments from some of the archipelago's least visited regions. Even without the harrowing tale of himself and his crew being taken hostage, contained within is a rare aural experience. These masters, originally intended for release on Folkways, were shelved when Stiffler returned home to news of Folkways founder Moses Asch's death.
Penny Penny’s 1994 debut Shaka Bundu helped put Tsonga music on the map and helped open usher in the electronic era of South African popular music. Following the success of the album’s subsequent international reissue over 20 years later via Awesome Tapes From Africa, Penny Penny Remixes looks at the current music situation in South Africa—a place where homegrown house and techno rub shoulders with kwaito, hip-hop and a rainbow of indigenous pop and folk styles. So Penny Penny Remixes merely scratches the surface with a very brief survey of the voices contributing to a wonderfully diverse dance and electronic music environment. The modern landscape of sounds heard among the artists on this digital EP mirror Shaka Bundu, a crucial turning point in South African pop music in general and Tsonga music in particular, thereby connecting the dots between electrified Shangaan disco and sounds ranging from township jive to mbaqanga to bubblegum to R&B, arriving at today’s vibrant movement of msanzi house and various regional house, techno and visionary electronic music scenes. The musicians here represent a few of the most innovative musicians whose varied takes on Penny’s energy make for fascinating listening, giving hope that music made for the dance-floor continues to develop in surprising ways.
Fueled by the financial drippings of number runners and boosted by Hall-of-Fame running back Jim Brown, Cleveland, Ohio's Way Out Records offered asylum for a rising crop of rogue soul men, rust-belt vocal ensembles, and trial-by-fire producers. Helmed by a friendly consortium of hustlers, police officers, and gridiron giants, pet project beget obsession as Motown arrangers, gospel choirs, and the Cleveland Symphony Orchestra were all beckoned to the wrong side of the tracks to mint masterpieces for the Sensations, Volcanic Eruption, the Exceptional Three, and Bobby Wade, all beneath the mindful gaze of a wall-mounted shotgun. Reaching their peak in the late '60s, Eccentric Soul: The Way Out Label gathers the brightest moments from the quirky operation's eleven year bid.
The 3xLP configuration boasts a double gatefold with beautiful photos and ephemera from the label's low-flying promotional department. The 2xCD version boasts images unique to this format, plus the same great liner notes, clocking in at 7,000 words. For fans of group harmony, sweet soul, orchestral feats and lo-fi oddities, The Way Out Label is an excellent addition to our already popular and powerful Eccentric Soul series.
Fifty records later, The Numero Group returns to its eccentric roots, Ohio's Capitol City and the sonorous Shangri-La carved out by the indefatigable Bill Moss. Filling in, around, and on top of our original The Capsoul Label collection, Capitol City Soul is a trove of completely unissued and underissued treasures from Moss and company. A decade in the making, this is the set of soul discoveries that no one but The Numero Group could achieve. Features otherwise unreleased songs from the Kool Blues, the Four Mints, Jupiter's Release, and Love Maximum, alongside rare sides by Dean Francis & the Soul Rockers, the Chandlers, Associated Press, the Soul Partners, and the Vondors. From the vaults under the basements under the garages of one of the nation's most unsung music scenes.
This double LP set is ensconced in a thick tip-on gatefold jacket splashed with a colorful spread of vivid archival imagery accumulated over a decade of research into the Columbus, Ohio culture. The liner notes serve as an in-depth history of Columbus soul music, linking The Capsoul Label with The Prix Label and Norman Whiteside's Wee project (recently sampled by Kanye West). The CD version boasts all of the same, with a few extra photos. A strong addition to the already epic Eccentric Soul series from The Numero Group.