"Ices" is a celebration of flight, levity, and the conviction that you can leave earth. You take wing in an airplane, you go to real places when you dream, you have out-of-body experiences, you get high, you lose yourself in someone else.
When we started work on these songs, I was beginning a gradual move to California, constantly traveling back and forth from New York. I was experimenting. I was falling in love. Our studio in the Hudson Valley was full of electronics and computers and the sounds of future ships sailing through the vastness of space, and I sometimes forgot where I was. The first songs we wrote were called "flying 1", then "flying 2", and so on, which eventually evolved into songs on the album. Flight became a metaphor for the ignition of the imagination. The process created a lightness in me, a freedom and positive energy that I'd never before felt or explored.
This recording session became a two year music and spiritual retreat with my psychic twin brother, Eliot. A private journey during which we abandoned old habits and familiar sounds. We got really geeky and experimented in our studio. We obsessed over sympathetic magic, "Ancient Aliens", and the NBA. We allowed everything we loved to find its way in: Persian percussion, hip-hop beats, lo-fi, hi-fi, Pakistani pop, Link Wray, Jason Pierce, gospel, dub. We developed new systems; we worked with synthesis, software, and samples; we became producers. The Hudson Valley was home base, but I wanted to keep flying. I wrote songs in California, recorded vocals in Atlanta, and worked with Clams Casino in Brooklyn. For the first time, Lia Ices felt like an inclusive project with its own identity, not just a name.
"Ices" as a whole is devoted to these certainties. While we have evolved, we are still animals. We respond to planets, patterns, and cycles. We require the sounds of our origins. We live in the future but stay bound to the primitive and primordial. We will always want tribe, we will always want rhythm, we will always need music to guide us into our deepest sense of what it means to be human. So we hear sounds from all over the planet in this album. We devour so much music, and with this album we allowed ourselves to claim bits from all of it.
Drawing a parallel between Lia Ices and Pink Floyd is much easier than anticipated — they share a love for space that is both palpable and patient. If you've been curious about a starting point with her, please start here. The A-side originally appeared on MOJO Magazine's tribute to Pink Floyd's mighty Wish You Were Here. Lia's take on the title track soars high and quickly nose dives back to Earth. The B-side takes a turn at "Late Night", the closing track to Syd Barrett's solo debut The Madcap Laughs. On it, Lia balances just the right amount of jangle-y brawn and off-kilter poise that one of our best love songs deserves.
Lia Ices' emotionally driven and experimental pop music is both avant-garde and timeless. A natural yet refined grace permeates her work.
Ices' voice floats and flutters around you, like the leaves from trees on a fleeting fall day, and the instrumentation matches that subtle dynamism. Grown Unknown is a walk in the park on a day of carnival, the most beautiful day so far this year.
Appearing as a guest vocalist for "Daphne," the only duet on the album, is Justin Vernon of Bon Iver.