"New York quartet Sunwatchers drew a line in the sand with their last album "II", a powerful statement of the band’s unique brand of spiritual, free-rock, gonzo attitude and a progressive socio-political worldview. "Illegal Moves" is their second album for Trouble In Mind. "Illegal Moves" is the band's most potent blend yet; a heady potion of free-jazz, psychedelia, punk & noise rock that is both tender and ferocious; the perfect soundtrack to smash capitalism and fix our broken system thru sonic catharsis and revolution. Songs like "Everybody Play" and "Beautiful Crystals" insinuate themselves into your brain with the rubbery synchronicity of bassist Peter Kerlin and drummer Jason Robira. Elsewhere "New Dad Blues" and "Greeneyed Pigmen (Get The Blade)" sting with a righteous fury beyond the piercing scree of guitarist Jim McHugh's electric phin or Jeff Tobias' saxophone skronks, and the band's cover of Alice Coltrane's "Ptah, the El Daoud" transforms her meditative elegy into a fiery protest march. The songs crackle with an energy informed by passionate disgust of the status quo realized on the album cover's illustration of the Kool-Aid Man battling the personifications of evil from across the world. A psychedelicized avatar for the general wrath and action that they believe in."
Brooklyn ensemble Sunwatchers return with the incendiary follow up to their 2016 eponymous debut, the appropriately titled "II". The quartet continues to defy adequate description, incorporating elements of free jazz, psychedelia, punk, Ethiopian and Thai music and funk into a dizzy, invigorating sound. "II" kicks off with the click of sticks and launches into "Nosebeers", a righteous burner that writhes and squawks with heady desert vibes and white hot saxophone, soundingnot unlike something akin to Group Doueh jamming with John Zorn. "The Hot Eye" is next, and the band doesn’t let up revving up an anxious marching beat into a raging squall that ebbs & flows with tidal waves of horn and guitar. The band has more in store for listeners, easing into the third track "There Are Weapons You Can Bring To School". With it's contemplative tone, the song sets a mood for the album, righteous, socially conscious messaging, no more evident than the message embroidered onto the tapestry that graces the front cover artwork: "SUNWATCHERS STAND IN SOLIDARITY WITH THE DISPOSSESSED, IMPOVERISHED AND EMBATTLED PEOPLE OF THE WORLD". The band considers it both a mission statement & a battle cry: "We are musicians, and we will leave political specifics to those more qualified than we are. All the time and energy and passion we can muster we dedicate to writing, performing, recording and releasing music instrumental music, released from the tyranny of semantics into the freedom and hopefulness of universality-of-connection. We thusly realize the need to become overt about our own intentions and our own mores; without the ease and accessibility of direct language, the onus is on us to express our principles in other ways."* The album's second side opens with the barn-burning "Silent Boogie" with saxophonist Jeff Tobias tapping into the elemental fires of free-jazzskronk while the rhythm section hammers away like the Asheton brothers on a speed trip. "The Works" & "Flowers Of The Water (For Lou)" close out the album, simmering the boil, and firing the listener off into Interstellar Space. Sunwatchers "II" is released on compact disc, black vinyl & limited "rainbow splatter" vinyl for direct account. It will also be made available via all digital retailers.