Part travelogue, part response to the current, turbulent climate, "Do Right" gives voice to the deeply nested anxiety of modern times attempting to offer a balm. Nature, it seems, is where the band often goes to calibrate it's moral compass so frequently upended by the daily news-cycle. Sugar Candy Mountain invites you to join them on this journey singing "There's a quiet place I go when I need to find my way/ There's a quiet place inside/ Come on in just knock and a door will open". Musically, the band remains rooted in 60's and 70's rock, with their signature honey sweet vocals. "Do Right" leans more heavily on synthesizer than the band's previous records, lending the album a more modern feel. The album pairs the ephemeral orchestral arrangements of The Beach Boys with the pop sensibility of George Harrison on "All Things Must Pass". Oscillating between the hazy psychedelic pop of Mild High Club, the driving energy of Dungen and the danceable familiarity of The Supremes, "Do Right" is a perfect cocktail of old and new, imploring the listener to take a ride into the sunset with Sugar Candy Mountain.
LA/Joshua Tree based Sugar Candy Mountain deliver carefully built psychedelic odes in the style of Jacco Gardner and Tame Impala. Their newest album 666 feels like something unearthed from a box of records found in your dad's garage, glowing wistfully with vintage inspired tones, rambling organs, fuzzed out guitars, shimmering keys and sprawling drums. Ash Reiter's woolly voice croons with the icy warmth of Francoise Hardy, while Will Halsey's tender Lennon-esque vocals uncoil with easy languor. Recorded with Jason Quever of Papercuts, the bands sophomore album sits comfortably between 60's Laurel Canyon bliss and more modern production of Dave Fridmann (Flaming Lips/Tame Impala). 666 is the band's ï¬rst record after deciding to retire Ash Reiter's eponymous solo project to focus solely on Sugar Candy Mountain. With this shift Ash became more heavily invested in writing for the project. On 666 the band moves away from the grandiose production of their previous album, Mystic Hits, on which some songs featured over two hundred instrument tracks. The majority of basic tracking was done on Jason Quever's 16 track Ampex tape machine through a Neve console, and completed at the bands home studio. Under Quever's guiding hand, production on 666 is signiï¬cantly simpliï¬ed, favoring featuring strong melodies over the wildly playful orchestrations of Mystic Hits. Quever is also signiï¬cantly featured on the record as a player, with his inï¬uence distinctly coloring the album.