Toronto trio Odonis Odonis merges pulsing electronics andforeboding textures to create a palpable sense of doom.Drawing on EBM and industrial influences, Reaction finds theband further refining the sound they carved out on 2017's NoPop LP. Noisy synths saturate the sonic space, cut with sharp,bruising rhythms. The band offers up club fare with thethrobbing four-on-the-floor "Insect" lashed with whip-crackingdrum breaks. A heavy atmosphere layered with taunting vocalprovocations creep throughout the four-song EP, and by thefinal track "Rip," howling screams propel a crushing climax.The EP was written while the band was touring to support NoPop, and the evolution between the two releases is seamless.During this time, the band perfected the songs by testing themout live, chiseling away to the core of each piece. Recordingalso took place simultaneously while writing, and much of whatmade the cut is comprised of or structured around first takes.Produced, mixed, and mastered by the band themselves,Reaction is a concise, focused collection of songs that perfectlycaptures the band's unrestrained energy and spontaneity.
Since their blown-out 2011 debut Hollandaze, Toronto trio Odonis Odonis has continued to push their sound further into the depths of post-apocalyptic experimentation. Following 2016's foreboding Post Plague, No Pop is the band's starker, more dance-floor-friendly fourth LP. Executed with precision, every sonic component of No Pop commands attention. Stripping down instrumentation to a handful of synths and an electronic drum kit, the band worked quickly to write and record, bringing demos and improvised takes into the studio and completing the recording process over the course of three days. The result is a focused blend of hard-hitting industrial, techno, and noise - but each track on No Pop is never just one of those elements. Pulsing rhythms lay the ground for textural soundscapes masterfully woven together to create a palpable sense of doom that is thick and satisfying. Taking its name from the anti-commercial No Pop movement, which infers that there "is no expiration date on music nor is it limited by geographic or regional boundaries," No Pop is raw with emotion that's elevated by deft production. Each hypnotizing meditation captures an uncomfortably honest cynicism with a brush of humor, emphasized by sparse vocals that taunt the current dystopia of technology, human emptiness and the mundane. No Pop is the soundtrack of a sinking ship, and we're all happily aboard to go down with it.
Toronto underground staple Odonis Odonis broke out in 2011 with their scrappy, blown out debut, Hollandaze. The dynamic trio instantly began turning heads with their signature "industrial surf¬≠gaze" sound. On their Polaris Prize nominated follow¬≠ up, Hard Boiled Soft Boiled, Odonis Odonis masterfully crafted a sonically divergent record that pushed their sound into new territory.
Odonis Odonis' latest epic, Post Plague, delivers a powerful blend of industrial, electronic and Sci¬≠Fi. Odonis Odonis' post--apocalyptic anthems construct scenes of sci-¬≠fi horror and saturate them with industrial strength synth beats. Dean Tzenos’ vocals sit clear and upfront, delivered with a foreboding intensity accented by his synth motifs and soundscapes. Denholm Whale's carefully crafted bass figures / electronic percussions are strategically placed like demolition charges throughout the sonic foundations of each track that Jarod Gibson, like some futurist architect, constructs. On Post Plague, Odonis Odonis delivers the kind of hypnotic, pulsing destruction that you can't wipe away.