"Jimi Hendrix said you need fantasy", says Toronto's Lydia Ainsworth," to see reality more clearly." On her sublime second album, Darling of the Afterglow, Ainsworth upholds Hendrix's wisdom in the best way. Vividly imagined and richly felt, the follow-up to Ainsworth's Juno-nominated Right from Real (2014) is an album of intimate emotions projected in heightened widescreen, where yearning pop classicism and classical smarts merge with other-worldly synthetic sounds and weird-gothic R&B infuences.For Ainsworth, it represents a great leap of confdence from her prodigious debut, whether she's conjuring the crystalline harmonies and deaths-head rhythms of The Road, the lush earworm pop of Ricochet or the small-hours reverie of WLCM. Blessed with an extraordinarily supple voice, Ainsworth commits herself fully on all fronts, honouring the words of Afterglow: To play it safe is not to play at all.The album title itself came to her while she was out of her element, explains Ainsworth, living near LAs Echo Park - home to the Art Deco statueÂ‘Nuestra SeÃ±ora Reina de Los Angeles (Queen of the Angels). "Walking around the lake just after sunset at a time when I was desperate for human connection, I found comfort in this statue. She gave me the inspiration for the lyrics to the song. It was as if she was singing them to me." Pass the message on: Darling of the Afterglow is a bold, beautiful album from a voice ready to be heard.Darling Of The AfterglowAvailable March 31st, 2017 via Arbutus Records.
Composer / producer / singer Lydia Ainsworth has been secretly writing and recording songs over the past three years from bedrooms and basements between Toronto and Brooklyn. What began as pass-time sketches between composing music for film and multimedia projects has over time revealed an enchanting collection of experimental pop songs with a life of their own.
Blurring the boundaries between indie music, filmic orchestration, and electronic music, Lydia's debut "Right From Real" thrives on haunting melodies and draws inspiration from a wide range of musical sources - Verdi's Requiem, Ace of Base, Bulgarian Choirs, Bernard Herrmann, Tones on Tail, Art of Noiseâ€¦ to name a few. This sense of unexpected marriages of influence flows throughout much of Lydia's work which features use of voice sampling and string arrangements woven into a unique minimalist fabric.
Lydia Ainsworth's debut "Right From Real" will be released 09.30.14 on Arbutus Records.