Jeremy Jay's latest, Abandoned Apartments, feels lived in, familiar, but filled with creaking shadows that go deep into the unknown. A product of several years spent in self-inflicted isolation and at various self-produced recording sessions, it is studied and wiser, culling its synthesizer tones from late-80s goth pop and touching on something darker than anything else Jay's ever made.
No description available right now...
No description available right now...
Recorded with the powerful yet lithe trio of Jeremy, guitar and keyboards, Derek playing electric bass guitar and Michael on drums, they kept the room alive at Stagg Street Studios in Los Angeles, Ca. with the majestic pop perfection that unfolds as Dream Diary draws you into its spell.
Splash [KLP218], the third album by Jeremy Jay, was recorded over the summer of 2009, while Jeremy was living in London. It mixes a deeply personal, chopped-up narrative with crunchy guitars and sky-high synths. Splash is a sonic postcard that tells the story of a life picked up in a new and unfamiliar environment; that fresh ambition of a new life. Despite its recording location, Splash, has a very nostalgic, American feel. Jeremy confesses to watching The Goonies, and Rad over and over while he was recording, to cope with his homesickness for California. Splash, though, is not about longing to be elsewhere: Jeremy sings with the most conviction and passion he has ever shown. He is still dreaming, but this time he’s looking down from the rooftops, rather than up to the sky, and the intense life he evokes is anything but everyday.
“Breaking the Ice” is another candid single from Jeremy Jay. This single, the latest volume in our International Pop Underground series of 7” 45 rpm records, appeared on Slow Dance [KLP197] in the springtime of 2009. With shiny synths, noble guitars, and a strong will â€“ it is another chance at romance. The single also includes an alternate version of “Winter Wonder” with icy and unsettled synthesizers, and a sincere and effective cover of the innocent 50s song “Words of Love” by Buddy Holly.
Recorded in winter-time at the Dub Narcotic Studio (Olympia, Washington) in a succession of silhouettes, Jay (synth and guitar; joined by Derek James on bass, Nick Pahl on drums and Ilya Malinsky on guitar) varies speeds with smooth precision. “Slow Dance” and “Winter Wonder” have a repetitive, loose charm. “In This Lonely Town” and “Breaking the Ice” maintain a strident beat; “Will You Dance with Me?” and “Where Could We Go Tonight?” end with questions where the response feels limitless. The glide on ice transfers to the dance floor with ease.
This is a debut album containing ten songs, but really it is a cinematic escapade into the mind of a singular individual, Jeremy Jay. A Place Where We Could Go is a statement of fiction and fact, exploring the shadowy depths of an attitude: the romance of life without the people and things that pull down the corners; create your own world. This universe may have a fairy tale look; it may be illuminated by streetlight. But it will definitely be a safe haven for the exploration of dreams. Think vast landscapes of reverberating storybook endings populated by the more charming characters from John Hughes' movies. Jeremy Jay: dancing, singing and playing guitar. A Place Where We Could Go is your hardcopy of the illusive, blonde, Jeremy Jay moon-roof vista. Buena.
The new single “We Were There” will be released this Winter as Jeremy Jay's 2nd Single this year on K. Hot on the heels of his 1st single “Airwalker”, The single “We Were There” was recorded in Angel Town with Nick Pahl on drums.
Jeremy Jay lives in Angel Town. He plays the piano and sits out on his deck late at night and looks over the rooftops. Inspired by the cinema, his new record "DREAMLAND" is quite a unique record for him. A more experimental & classical record, this music was originally created as a "musik-movie", a soundtrack for a short film starring Jeremy Jay also called "DREAMLAND". While Jeremy is best known for his Buddy Holly-esque pop musings, "DREAMLAND" is a departure in that it is moody instrumental music composed on and for the keyboard, and feels like an Angelo Badalamenti score to a film by John Hughes. This St. Ives release is in a handmade edition of 300. The artwork for the LP is a Jeremy Jay paper doll set. There are two different paper doll sets for two different cover styles. Each LP is unique & hand-wrought. Of course you could cut up the covers and put the cut-outs on your wall or just leave them the way they are in their sleeve!