Secretly Distributon

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2018-05-18
Jennifer Castle: Angels of Death

A sublime meditation on mortality and memory, ghosts and grief, Angels of Death casts a series of spells against forgetting and finality, in the form of mystic-minimalist country-soul torch songs about writing, time travel, and spectral visitations. Castle wrote and recorded this breathtaking follow-up to the acclaimed Pink City (2014) in a 19th century church near the shores of Lake Erie, where her family also lived and experienced a constellation of losses that inhabit these bruised musings.

"Castle reaches a pitch of mystical transport so gorgeously ethereal she seems about to drift off into lands that don’t appear on any map." - Greil Marcus, The Believer

"Castle's music is not so much of the earth as floating above it, untethered to the natural order of time and space. Her songs live in that gray area where observation mutates into rumination, and where the physical world dissolves into psychic terrain." - Pitchfork

"Ravishing, soulful ... stands comparison with the best of Judee Sill and Joanna Newsom." - Uncut

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2014-09-02
Jennifer Castle: Pink City

From Toronto, Jennifer Castle writes folk songs about friendship, love and heartbreak. Pink City is a stirringly beautiful album every bit a step forward from 2011's Castlemusic. It's barer arrangements - often just piano, guitar and voice with string arrangements from Owen Pallet - highlight just how good of a songwriter Castle is. Her singing has an intuitive style, not always following the expected melody, but soaring along on it's own current. Greil Marcus wrote in The Believer that Castle "reaches a pitch of mystical transport so gorgeously ethereal she seems to drift off into lands that don't appear on any map."

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2012-03-06
Jennifer Castle: Castlemusic

In Toronto, Jennifer Castle possesses a sought after voice, singing on albums by Fucked Up, The Constantines and Doug Paisley. Castlemusic is her debut under her own name (she previously performed as Castlemusic). It’s full of rambles, waltzes and ballads. It wanders with equal parts feedback and quiet, through dark melodies, wistful, and straight out of a hazed dream or some offbeat 70’s AM station. The songs have that type of familiarity, as if they were always there. Castle is backed by an assortment of musicians: pedal steel, percussion, vibraphone. She handles guitar and piano herself, but it’s her voice which is ultimately the guide. Like “cold smoke”, as one writer puts it: it’s enveloping and unmistakably present.