Through four parts each running in the 10-minute range, Stand Above The Streams conjures an evocative, abstracted survey of organic nature perhaps from on high, like a satellite scanning and processing data across diverse and slowly changing landscapes. The album also sits very comfortably alongside the recent resurgence in synth-based soundtrack music (John Carpenter, Tangerine Dream et al) â€“ though as alien as it can sometimes sound, there is an unmistakable human element and underlying warmth that courses through the tensile strength of this music, electrifying it with the viscera of the body.
Jason Sharp has been a fixture of MontrÃ©al's experimental/improv scene for many years, chiefly as a saxophonist exploring drone and durational music, while also collaborating in a wide variety of jazz, avant and contemporary music ensembles. His work as a composer, conductor and band leader in his own right is now featured on A Boat Upon Its Blood, the first album-length recording to be released under his own name: a bracingly meditative multi-movement instrumental work that charts a highly compelling arc of shifting energies and intensities.
Using custom-built equipment to translate breath and heart rate into variegated sonic triggers, along with other modes of signal processing and in tandem with traditional instrumentation, the album features Sharp's own reed playing with contributions from a few guest musicians on pedal steel guitar, violin and various percussion.
Recorded by Thierry Amar (Godspeed You! Black Emperor, Vic Chesnutt) at the Hotel2Tango in MontrÃ©al and mixed and mastered by Jesse Zubot (Tanya Tagaq, Drip Audio Records), A Boat Upon Its Blood is a genre-defying album with a highly immersive and satisfying sound palette that impels deep listening and demands to be taken in as a whole. Constellation is thrilled to present Jason Sharp as a unique and invigorating new voice in modern-contemporary music.