Jamila Woods has a voice and lyrical sensibility that transcends generations, and so it makes sense to have this lush and layered album that bounces seamlessly from one sonic aesthetic to another. This was the case on 2016's HEAVN, which found Woods hopeful and exploratory, looking along the edges resilience and exhaustion for some measures of joy. Her new album, Legacy! Legacy! is the logical conclusion to that looking. From the airy boom-bap of "Giovanni" to the psychedelic flourishes of "Sonia," the instrument which ties the musical threads together is the ability of Woods to find her pockets in the waves of instrumentation, stretching syllables and vowels over the harmony of noise until each puzzle piece has a home. The whimsical and malleable nature of sonic delights also grants a path for collaborators to flourish: the sparkling flows of Nitty Scott on "Sonia" and Saba on "Basquiat," or the bloom of Nico Segal's horns on "Baldwin." More than just giving the song titles the names of historical black and brown icons of literature, art, and music, Jamila Woods builds a sonic and lyrical monument to the various modes of how these icons tried to push beyond the margins a country had assigned to them. On "Sun Ra," Woods sings "I just gotta get away from this earth, man / this marble was doomed from the start" and that type of dreaming and vision honors not only the legacy of Sun Ra, but the idea that there is a better future, and in it, there will still be black people. Soul music did not just appear in America, and soul does not just mean music. Rather, soul is what gold can be dug from the depths of ruin, and refashioned by those who have true vision. True soul lives in the pages of a worn novel that no one talks about anymore, or a painting that sits in a gallery for a while but then in an attic forever. Soul is all the things a country tries to force itself into forgetting. Soul is all of those things come back to claim what is theirs. Jamila Woods is a singular soul singer who, in voice, holds the rhetorical demand. The knowing that there is no compromise for someone with vision this endless. That the revolution must take many forms, and it sometimes starts with songs like these. Songs that feel like the sun on your face and the wind pushing flowers against your back while you kick your head to the heavens and laugh at how foolish the world seems.
Jamila Wood's cultural lineage - from her love of Lucille Clifton's poetry or letters from her grandmother or the late 80s post-punk of The Cure - helped structure the progressive, delicate and minimalist soul of HEAVN, her debut solo album released summer of 2016 on Closed Sessions, now set for a re-release by Jagjaguwar and Closed Sessions in October 2017. "It’s like a collage process," she says. "It's very enjoyable to me to take something I love and mold it into something new." A frequent guest vocalist in the hip-hop, jazz and soul world, Jamila has emerged as a once-in-a-generation voice on her soul-stirring debut.
Born and raised on the Southside of Chicago, Woods grew up in a family of music lovers. An artist of substance creating music crafted with a sturdy foundation of her passions and influences. You'll find the bits and pieces of her past and present that make Jamila: family, the city of Chicago, self-care, and the black women she calls friends. True and pure in its construction and execution, her music is the best representation of Jamila herself: strong in her roots, confident in her ideas, and attuned to the people, places and things shaping her world.