Eighteen months on from his last new release, Vancouver-based singer / composer Ian William Craig returns with eleven stunning new tracks. Entitled 'Thresholder', the record sees Craig return towards the smudged and scoured beauty of his 2016 opus, 'Centres', a record which was universally acclaimed, making many end-of-year lists - including the likes of Rolling Stone, Uncut, The Wire, The Quietus, The 405 and Drowned In Sound.
Following the widespread critical acclaim of his recent 'Centres' album (July 2016), Vancouver-based vocalist / composer Ian William Craig returns with 'Slow Vessels', an album-length EP which both extends and radically re-imagines 'Centres', rendering six of its tracks in a stunning new light. While not quite an "unplugged" version, it is fundamentally stripped back, raw and predominantly acoustic, the songs included have been returned to their point of origin.
'Slow Vessels' sees Ian paring back the dense, billowing layers and heavily distressed textures that dominated the album and re-playing these tracks on a borrowed acoustic guitar and piano. While four of the tracks also feature some minimal tape manipulation, it's a move that foregrounds the strength of the songs, imbuing them with a heightened sense of nearness and intimacy and briefly reframing their author in the more traditional mantle of singer-songwriter. Deeply affecting and almost devotional in character, this utterly gorgeous re-setting of the songs sees them bathed in a warm, golden glow and throws a brilliant new slant on Ian's prodigious creativity.
'Centres' is the stunning new album from Vancouver-based vocalist / composer Ian William Craig, and his first release for FatCat (Max Richter, Hauschka, Dustin O'Halloran, Johann Johannsson, etc) following two critically lauded back to back albums for Recital Program. Ian William Craig is a trained operatic vocalist who combines his voice with analogue synthesizers, reel-to-reel machines, and faulty tape decks to create sublime cascades of unpredictable decay and beauty.
The songs were created manipulating tape loops through two or three decks at once to create strange deteriorating delays with different colors. Craig would then circuit-bend the bias to create odd kinds of distortion, or bend the sound back into itself so it feeds back in unpredictable ways. 'Centeres' is a stunning album that stands with a similarly unique sense of vision and integrity as the likes of William Basinski or Colin Stetson.