Lateness of Dancers is the fifth full-length from Hiss Golden Messenger. It's an open, confident, immediate album, and it feels, at times, like a direct response to the darkness of M.C. Taylor's last record, 2013's Haw, or to the searching of 2010's Bad Debt, the stunning acoustic LP he made at his kitchen table shortly after the birth of his son.
Lateness of Dancers was recorded in a tin-roofed barn outside of Hillsborough, North Carolina, last fall and includes many of Taylor's longtime collaborators, like Phil and Brad Cook of Megafaun, the guitarist William Tyler, and his erstwhile recording partner Scott Hirsch.
It is a record about self-discovery and self-knowledge, and how impossible it is to outsmart yourself. Still, over and over, Taylor subverts that creeping darkness, turns it into something useful, defines it and defangs it and transforms it; Lateness of Dancers is, against all odds, an optimistic record.
It seems unlikely to me that there will be another record this year that does this work, or does it this well. Lateness of Dancers is a deliverance from the self, to the self. From Taylor to us.
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