Recorded at Copeland's old practice space in South Williamsburg, Black Bubblegum contains songs with more conventional sounds and songwriting than any of his previous releases. While there are similarities with Copeland's earlier work in the drum patterns, major scales and vocals, Black Bubblegum moves away from his trademark psychedelic dub towards strange and fantastical pop; imagine Arthur Russell going into the studio with the Ramones. Wanting to take a more "hands-on" approach to these recordings, Copeland exchanged sample-driven tech and hardware for keyboards, guitars and effect pedals, creating a new sound that is oddly easy to digest despite its rejection of melody in favour of discord and dissonance.
Eric Copeland has been sound clashing at full volume for over twenty years, first carving out a named for himself as one third of the legendary NY-via-Providence band Black Dice. A wildly prolific solo artist, Copeland has played shit houses, party palaces and seemingly everything in between all over the world.
A long time Brooklyn, resident, Eric recently relocated to where the L Train does not run - Palma de Mallorca, Spain. While maintaining a relatively humble and low key presence in a highly competitive musical world, he has releases a prolific amount of music every year through indie labels such as L.I.E.S., Escho (Iceage), PPM (No Age), Paw Tracks (Animal Collective) and DFA.
DFA is proud to release a long-gestating 12" single of wild interpretations of Eric Copeland's 2013 album "Joke In The Hole". The Black Dice member received universal acclaim for the record, "Fringe though Copeland may be, this album is a serious coup for DFA - he walks the line between complete nuttiness and outright accessibility, and ends up with one of his best records to date." (XLR8R) Starting us off is Panda Bear, who adds his trademark falsetto vocals and shuffling percussion, sweetening Eric's black coffee beats. DFA's own sonic collagist Larry Gus blends Eric's mumbled vocals with bright percussion and a vocoded male choir, among many other audio dalliances. Meanwhile, Hyperdub's Fhloston Paradigm (AKA King Britt) takes aim with his laser cannons, firing volleys at unrelenting waves of marching alien armies, before being swallowed up in a solar flare. Finally, Anthony Naples (Text Records, Trilogy Tapes) brings it back to the club with snaps, claps, and hi-hats, but it sounds like you left 'em out in the rear window of your car on a sunny day. You know what we mean.
Ms Pretzel is a 4 track, 20-minute EP of brand new material by Eric Copeland (Black Dice, Terrestrial Tones). This is Eric's return to DFA after the release of an acclaimed single on Ron Morelli's underground dance juggernaut L.I.E.S., which followed his beloved 2013 album "Joke In The Hole", his solo debut for DFA. The music on Ms Pretzel most certainly continues to break new sonic ground, a process which has gradually unfolded over the last few years via many prior works on seminal underground labels such as Underwater Peoples, Escho, Post Present Medium, and Catsup Plate, among many others. Ms Pretzel takes Eric's outsider fascination with 4/4 dance music and twists it yet again. It is the sound of Eric Copeland throwing a wobbly dance party in a junkyard. DFA could not be more excited to host this gritty event.
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Eric Copeland is an experimental musician based in New York City. He is a core member of Black Dice and forms half of the duo Terrestrial Tones withAnimal Collective’s Avey Tare. His extensive and exemplary solo work has long been hailed for its ingenious torrent of sounds and schemes.
Tie up your laces and listen loud. Feeling like a funked up alien comic book, Copeland’s newest full length, Limbo (out on June 5th via Underwater Peoples),extends his ouvre of layered, pitched, and all-out fucked sounds toward an easier place, a more familiar musical terrain. More fleshed out than his earlier work, Limbo’s six parts give it a capacious feel of action. Well organized and having an undeniable rhythm, the album is an excellent progression from the concepts explored within throughout his body of work.
On his 5th 7" for PPM Eric commits to a gentle onslaught of traditional sounding rhythms, ran through the busted copy machine of sound that defineshis work. GET ALONG gets you going immediately with an infectious beat and a New Wave-ish, almost Nigerian Pop, scrambled, lost Prince demo vibe. While ZULU feeds the soft side of your soul quite nicely, tugging at your heart with a warped symphony and vocal line that shows his talent as a singer and composer. Two of EC's best songs to date, no doubt, do not miss this 45!
Eric Copeland is a member of Black Dice from New York. His solo work under his own name exhibits an exciting and intensely original take on song structure, delivery and approach. Since 2007 Eric has recorded and released a hand full of LP's and singles and lately has been cranking out the tunes on 7"s via PPM. On his previous three 7" releases "Doo Doo Run b/w "Fundinkdeath", "Puerto Rican b/w "The Eyeball" and "Whorehouse Blues b/w "Guk & UFO's Over Vampire City", Eric has taken and warped pop song ideas and skewed them incredibly,crafting out some very killer tunes.
Eric Copeland is an experimental musician based in New York. He is a core member of Black Dice and forms half of the duo Terrestrial Tones with Animal Collective's Avey Tare. This 7” is a departure of sorts and is easily gonna twist your brain! Fantastic fun!