Sometimes the best remixes come direct from the artist themselves. Following the success of their debut EP, CCFX return to reimagine and reiterate all four tracks. At times turbulent, at others serene, and throughout unabashedly raffish, these instrumental versions take the liberty of exploding the originals and thrusting the fragments into deeper and more ornate sonic territory. Minimal beats as well as pumped up breaks take the forefront here, rendering nascent atmospheric jungle & dubbed out balearic new wave.
Though it was released last October, the original EP is still making waves, having been hyped by the likes of NPR, Pitchfork, and NME. With this new record, the band demonstrate their versatility in addition to their songwriting talent - always willing to take risks, The Remixes is a masterful selector's spin on their late 90s/early 00s indie pop-oriented sounds. And the band isn't slowing down, as this release comes on the heels of the band's debut live performance on KEXP, and ahead of their appearance at Sasquatch Music Festival in Washington state. Stay tuned for more from CCFX this yearâ€¦
CCFX are a new trio from Olympia, Washington, featuring Mary Jane Dunphe (Vexx, CC Dust), David Jacques (CC Dust) and Chris McDonnell (TransFX). Collectively coming from a background of punk, new wave, and shoegaze, all three members embody Olympia's historical ethos of DIY, and join forces for a record that is a showcase of what is currently coming out of the Pacific Northwest.
Recorded and mixed with Captain Tripps, the CCFX EP is a testament to the nostalgic properties of 80's UK chiming and melodic guitar parts that counter and complement Mary Jane's emotional vocals. Undeniably indebted to the sounds of The Cure, New Order, The Smiths, and My Bloody Valentine, Chris McDonnell has made much of the kinship he feels between Olympia, Washington and Manchester, England. And like the Brits across the ocean, CCFX strike that delicate balance between heartfelt and gloomy, but there is an earnest sincerity to these tracks that sets the band apart.
The timbre of the music is warm and just slightly fuzzed out, and the expressive quality of Mary Jane’s voice is pushed to the front. These four songs allow access to suppressed and forgotten feelings from youth - punk's not dead, and neither are its descendants. This is the stuff indie dance nights are made of.